Lettitor

Dear reader,

What does Bite mean to you? Maybe you imagine sinking your teeth into something sweet, the sensation of someone else’s lips on yours for the first time, or the snapping jaws of an angry dog. When choosing a theme for this issue, we wanted something that would allow writers to explore a range of complicated sensations and emotions, to get lost in reflection, be it sweet and sticky or sour and bitter. To us, Bite encapsulates the shock of a new year, a new Cipher staff, and a Colorado Springs quickly transitioning from summer to winter. The nights get longer, the leaves turn orange, and we sit in the pub house and think about bites. What’s come back to bite us, what biting words we’ve spoken or heard. It’s delicious and scary. 

Change is hard, and with a late start, this issue was more of a time-crunch than usual. There were moments where we feared we had bitten off more than we could chew, but thanks to the hard work of the writers, artists, publishers, and everyone involved in making this happen, we produced something that we are truly proud of. This issue is dedicated to all of you. Thank you. 

We wanted an issue with a “bite” to it, and we were not disappointed. The writing explores the versatile meanings of the word: evoking pain and pleasure and everything in between. Mattie Valinsky explores the beautiful and agonizing transition towards womanhood through descriptions of her childhood Astrovan, the Green Machine. Her story is familiar in its nostalgia, and the weight that it lends to moments of youth in a family vehicle, preoccupied by crumbs on the floor or the blare of a truck horn. Katie Kamio depicts growing up in a different way. It’s a coming into one’s own, facilitated by a Model UN conference and a sweaty teenage dance. She implores readers to think about the collage of experiences that make up each of us, empowering or embarrassing, regrettable or defining. Conner Crosby surprised us with a surreal, fictional mystery in an office building. He paints a grim image of human nature and mundanity that may have you gritting your teeth, but trust us, wait for the plot twist. 

There’s something in this issue for all kinds of tastes. 

As we kick off the 2022-2023 school year, we encourage you to not be afraid to bite. 

After the time and effort from our writers, artist, and staff, we thank you for your time in reading this delicious, passionate, and fierce first issue! We’re looking forward to seeing what you have in store for us with the Obsession Issue. 

Go ahead, take a bite!

The Plums

The Plums

Nothing About the Summer Sticks

Article by Katie Rowley, art by Isabella Hageman

I bite into the flesh of the plum. Its purple skin breaking. Its sweet juices spitting onto my cheeks, stickiness slipping down the two fingers that hold it up to my mouth. They will dry in seconds in the summer sun. I will forget about the carnage from the plum not consumed. 

We are sitting outside. My mom, my dad and I. Faded, sea-foam blue cushions separate us from the hot black metal of our deck chairs. The 11:00 a.m. sun beats down on us. We’ve put the umbrella away for the summer already. The plums sit on the sea-glass table; it matches the chairs. They’re still in the brown paper-weaved basket from the farmer’s market. My mom decided she wanted some, even though the intention of our trip had been to buy me food to take down to college. She drifted through the stands away from me and my dad, who allowed me to slow down. We had stopped to grab vegetables, and when I looked up my mom was gone. We caught up with her at the stand with plums and apples and peaches. For some reason, the plums had caught her eye. Now, they sit on our deck table, our hands reaching to steal them away. 

My fingers have dried from the stickiness of the first bite. I take another. The yellow flesh ripping away from the pit, splitting from the tissue it sat next to and soaking my skin. I leave for school tomorrow. I will steal five of the plums to stock in my own fridge. I will not eat them. Their skin will wrinkle and split, constricting the golden flesh, drawing out its juices that will pile at the bottom of the climate-controlled drawer in my fridge. By the time I notice them, it will have been too late. Their stickiness will have settled into the pores of the plastic drawers and it will not come out. 


But right now, the stickiness from the plums does come out of my skin. With hand soap and warm water, my hands are free. I have nothing to stick to this summer. They are clean enough to comb through dog fur without pause. They are clean enough to graze the tooth marks just above my right knee. The bruise, once as purple as the skin of the plums, has faded but the puncture wounds still remain, slightly raised. My mom tells me not to pick at them. To let them heal and fade so we can forget. 


Two weeks ago, July broke into August with chilled morning air. The walk, the one I had been taking every morning with my parents and dogs, felt normal. Normal enough except my dad had left for work already, and the dobermans were at the park when we got there. So, we went a different route. Maybe that’s where it went wrong. A change in route. A change in air temperature. A change that led to our neighbor's dog escaping from their backyard as we walked by. Our neighbor ran after it. 

He’s friendly! Don’t worry! He won’t do anything!

Our dogs, still puppies in a sense, were not friendly. This approach of an unknown threat elicited  a discordance of barking and whining and growling. I was holding Oliver, his blue leash taut, wrapped around my hand several times over. In an effort to de-escalate the situation, I stepped in between Oliver and the neighbor’s dog. A flurry of movement between my legs. Teeth bared. White fur brushing against my skin. I got caught in the crossfire. There’s no way to know who was responsible. But it was probably Oliver. His teeth, aiming for the strange dog, sunk into my lower thigh. A bite. Hot, shooting, red pain. A bite that immediately conceived a plum-sized bruise. The skin swelling, hard underneath the surface. 

I hoisted Oliver up, his 40 pound body fitting snug in between my arms as I limped away. My mom followed me with our other dog, who would never bite. We went around the block. A small trace of blood dripped down my leg, staining the hem of my white sock. My parents hired a dog trainer that evening. I don’t think they bite anymore. 


The rest of my last morning at home passes by quickly. I grab another plum on my way out the door to see him: the boy I have been hooking up with all summer. My summer fling. My friend who I sleep with every time I’m home, even if it’s just for a weekend. My boy from home. 

Hesitancy fills me as I drive to his place. The last time I left for school, two years ago, he got a girlfriend while I was gone. We didn’t talk forever. And I won’t be back home for three months. Anything could happen. He could leave me again. 

I take bites from the sticky fruit, one hand gripping the steering wheel, the other squeezing the plum pit between two fingers. The juice drips down my fingers, settling into the creases of my palm. When I’m bored and TikTok videos of palm readings show up on my For You page, I analyze the lines. According to these marks, I will get married once. It will be unhappy and we will split. I am going to live a long and healthy life, but I will not have many stable job prospects. And, I am a selfish individual. I want to read his palm. But I never think about picking up his hand and trying to distinguish all of the lines in his dimly lit bedroom. I know he would bug me about it. When I finally broke and told him what I was doing, he would make fun of me. 

I can’t believe you believe in all that. It’s like the astrology shit all over again. 


I take another bite of the plum, soaking my fingers. The fluid seeping into every fingerprint. Tanginess settling into the skin he always says is so soft. But it’s not soft now. The plum has left it wrinkled, like when you’ve been swimming for too long. Or like when you can’t stop thinking about him in the shower and forget that you’re standing in water and you have to use extra lotion to smooth out fingertips again. I will have to clean them when I finish the drive. I’ll use my water bottle and white button up as a rag, rubbing off the stickiness. Or I’ll use my spit. Sticking each finger into my mouth, savoring what remains from the plum. But for now, I continue eating. And driving to him. 

Two weeks ago, when I saw him, I pointed out the bruise from the dog bite. With his tender brown eyes, he examined it. Never touching. He felt sorry for me. Wanted to know the whole story. 

I’ll be sure to be careful. 

Be careful while he holds my legs up. 

And he was careful. He didn’t touch it. His touch everywhere was soft. Caring. The same tenderness of his eyes rendered in his hands. Unlike the other boys I’ve slept with, he wouldn’t bite me. I don’t even think he would if I asked. If I begged. 


Another bite. He won’t have to be careful today. But he still will be. The dog bite has disappeared, but the sting from his words at the end of June has not. 

Yeah I think you’re hot, and I think my ex is hot and I think the other girl I’m hooking up with, Nikki, is hot; and you all look different. 

Every letter in her name sinks into my skin. Five puncture marks: N. I. K. K. I. I know that’s how she spells it because I looked her up after I left. She’s in his stupid co-ed frat. She’s on his Instagram. They stand right next to each other, his roommate sits below. It looks like a family portrait. She has badly dyed blonde hair but my friends and I decided to let her be cute. She didn’t do anything wrong. No one did. 

I take another bite. I can hear his voice moaning the two syllables. Their cacophony rattles in my ears. I tell my friends her name. We decide it’s not cute. It sounds clunky. Wrong. My mouth gets stuck on the ‘nik’ struggling to spit out the ‘ki.’ It is bitter. I wonder what Nikki sounds like in his mouth. If it is as sweet as the fresh farmers market plums. A smooth bite. The two syllables flowing like the juices, sliding down the back of his throat. I’m sure she loves the way her name sounds in his mouth. 

I imagine every compliment he ever gave me whispered into her ear. I imagine his hands in her badly dyed blonde hair. I imagine him pressed against her. I imagine her naked body on the same sheets I have laid on all summer. I imagine how he greets her at his door, that stupid, cheesy smile and immediate hug. I imagine her in the passenger seat of his car, his right hand reaching over the console to grip her thigh, or maybe hold her hand. I imagine. I imagine. I imagine. 


I take the last bite of the plum, sucking the remaining flesh off of the pit, and pull into his apartment complex visitor’s parking. I can feel the anxiety settling in my stomach. I clean off my fingers, opting to use my spit.The remaining sweetness lands on my tastebuds. The taste settles into my mouth, remaining there. I let it soak in before taking a drink of water. It is the same feeling as watching him lay on his bed in a post-sex glow, propped up by a bent elbow. I stared at him as he rambled on about how nice it is to just be truly comfortable with someone. The setting summer sun shone in through his shitty aluminum blind, creating an orange glow. I took it all in. I took him all in, every inch. I savored every moment with him this summer. Trying to soak in the sound of his voice saying my name, his tenderness, his desire to keep me safe, his precaution to not press too hard on my bruises.  


I try my hardest to not think about how he could leave me for Nikki. I walk up to his door. Wipe my hands on my button up. Hoping my fingers are not too sticky. 


They don’t stick to his bedsheets. Or to his skin. Nothing about me or this summer sticks. I leave him and I leave the city the next morning. A two hour car ride, unpacking all of my shit, and a lunch with my parents separate me from a simple summer.  

In an apartment all alone, I don’t eat dinner. I am too tired to make it to the store. So all that’s in my fridge are the veggies I bought from the farmer’s market and the stolen plums. I don’t have the energy to open the fridge. I don’t have the energy to take bites from the sweet plums my mother bought. Hunger dwells in my throat, the saliva drains, a rough dryness coats every inch of my mouth. I wait for the boy from home to text me. I want his mouth to be dry in my absence. I want him to be hungry for me. 


I take an edible the next night. I devour two of the plums, too high to pay attention to the juices dripping down my fingers.

Astrovan Odes

Astrovan Odes

 Childhood in the Rearview Mirror

Article by Mattie Valinsky, art by Ra Omar

Astrovan chugging along the freeway. I bet to sleepless eyes, the ones who neighbored our ungraceful force on wheels, the grumpy looking eight-something-year-old attempting to fold her chunky little cheeks under the bottom-opening windows, you know the ones that could crack a mere inch, was a truly unruly sight. Don’t worry, I’d say, you are surely not my target. Not even an interesting enough license plate to garner my attention at a time when I have floor crumbs to count on for entertainment.

Faced window to window with the truck beside us, I performed my duty as entertainer in the backseat. With a reflexive yank of an invisible chain that hangs in the space above my knuckles, fist clenched, and elbow bent, I brought the hammer down. An eruption of giggles cascaded through the wind as the blast of the truck driver's horn ricocheted off my eardrums. Instant gratification.

A tip of the hat, a huff, a puff, a smile, or a nod patted my back and told me they were proud. That I was a champ, a soldier of the roads, maybe even someone’s pal for a moment. Now, I can’t say I know enough of the logistics of the act to share the secret to my 100-percent success rate. You would have to ask my brother. The originator. Him, the teacher, and me, the student.

However, I imagine the chain finds me like Percy Jackson’s satchel in the movies, guiding me to fulfillment. Always present, but not really there. If you ask my parents, they’d say the motion was rather indelicate or unladylike, but this was all to hide the softness in their eyes. A point of recognition. A reminder of childhood abandon, perhaps.

Let me introduce you to The Green Machine: a nineteen-eighty-something-year-old Astrovan whose name was bestowed upon it by my middle school best friend on the blacktop of the school pick-up line. Alexandra Dorsey. Alex. Ms. Dorsal Fin.

The nickname for the van caught on as an ode to the girl who was my first genuine human friend.

The green machine. The green van. The tank. The big old rolling turd. Whose velvet-like and vaguely gray seats mimicked the feeling of your grandfather’s favorite weathered-down brown recliner. The type of seats who were intelligent, whose muscle memory greeted your body by remembering every groove of your legs or hitch of your hips. Admittedly, both seats were probably sold in the sale section of a Sears parking lot in Upstate NY as unlikely pals to old souls alike. I bet your grandfather named his chair too. Probably. Maybe Sally, or something that emotes good ole boy energy.

Those seats were my wiener dog’s favorite. Charlie. Charles. Wiener dog. My mom always said that if she ever got rid of the van, which she swore she never would, she would keep those seats as a parting gift to my dog. I wonder what those seats have become.

Found friends. Taken for scraps long before I could stake my claim in the driver’s seat. Did you know my dad had a matching brown Astrovan? Ronald’s brown machine doesn’t quite have the same ring to it. Alas, it was crushed long before any formative memories were made in its presence. No quirky locks that clicked and clacked without command. No sounds that were ultimately blamed on my brother Jack’s leg pressing buttons they had no business pressing. No yelling matches that were born of locking and unlocking despite the locks singing every time Greenie was driven. No sounds were made at all.

I miss her. I miss her whenever I release the top-opening windows on our new, but not new, space-gray Honda. I miss her anytime the irritating whistle born from the poor aerodynamics loses its match with the force that is the wind. I miss her anytime I must calculate the allowance of wind based on our speed. I miss her anytime I am asked from the backseat if my window is open. I miss her anytime I’m scolded, “you know a window on each side must be open!” I miss her anytime I hear that sound. The sound that is only comparable to a baby rooster’s feathers being ruffled for the very first time. I miss her anytime I do that window-opening-and-closing-dance until the stupid rooster stops screaming. I miss her anytime the electric doors become stuck.

Not to say Greenie’s never did. But I mourn the biceps I would have every time I opened the door a little too far. I mourn the reflexive motion of picking the door up, sliding it back into the frame, and giving it a little kick to encourage closing. I mourn the name “MAX'' carved into its metal frame, which my mom claims my brother proudly etched. I mourn the loud latches. Everything was latched, secured and safe.

I certainly will never miss or mourn the gray thing that lacks character. You know, the kind of character your mom claimed as positive every time the green van broke. It was always “character” and never “broken.”

The original and only driver of the Astrovan, in my eyes, is my mom. Pam. Pammy. Pamela. The five-foot-something lady whose voice I mock anytime I recount her yelling at me from the front seat. Yelling at me to throw her the collection of sweaters, the ones that lived on the seat next to me. The sweaters whose main purpose was not to save people from the cold, but rather, act as a cushion for her to be able to “see better.” A glorified booster seat, essentially.

Now, anytime an Astrovan-esque vehicle passes my friends and I, all college females, on the street, we laugh. We point. We exclaim that if we were ever kidnapped that would be the van to do so. You know, the type where the doors slide open for prime snatching, or the back door houses a man that just needs a little help with the load he’s carrying. We illustrate the driver to be someone who fits the archetype of Buffalo Bill in Silence of the Lambs. You know, one of our favorite movies that we watched together on the floors of dorm rooms. We joke that I would be the least likely to be kidnapped of all three. That I, unlike them, am at least over five feet tall. We find humor in this.

We spoke of danger, which somehow cleansed our bodies with a cool air of creepiness because the image produced was not far off from the lingering reality of womanhood. We now pay close attention to the shadows of figures in doorways. We now subconsciously calculate the changing tempo of footsteps in our rear view. We now stroll aimlessly about with the subtlety of a woman’s watchful gaze. We are now left heavier because somewhere down the road we lost our childhood abandon.

No longer latched, no longer secured, and certainly no longer safe.

Dear You

Dear You

 Sorry not Sorry

Article by Emma Devlin, art by Ra Omar

I’m lying on my back on my bed in the dark and I feel my body going numb, unfeeling. I know I should flip over before I get sleep paralysis, but I’m almost asleep so I focus on the fan above my head to distract myself. When I do this, I wake up with dead limbs. Like right now, I´m awoken by the morning doves outside my window and I can't get up to talk to them. That's really frustrating. When I can't do something because of my own limitations, that's really frustrating. There´s nothing much to do but breathe because if I don't focus on breathing I start to panic and this dreadful feeling of hopelessness takes over and my brain thinks I’m stuck like this forever so I start to sweat and cry a little. But I´ve been through this before. I stare at my ceiling fan and think about how I’m a failure. No actually, I never realized I was one until people started to pity me. My grandma did it last week. She pitied the shit out of me. She said “it's okay to make mistakes sometimes. You look like you need a break,” and I nodded really slowly. It wasn't that bad, what she said. It's what she didn't say that bothered me. She used to tell me constantly how impressive I was for my age. Now I look tired to her. I look like a normal person.

Since I fucked up the way I did, every day feels discouraging. It's exhausting. Trying to accomplish something when I don’t believe in myself is exhausting. I have to get rid of this feeling. I realize that now as my limbs come back to life. I wave at the morning doves outside my window and they tell me to brush my teeth. I do. They tell me to brush my hair. I do. They tell me to dress in something other than sweatpants and an old t-shirt. I do. They tell me to take a long look in the mirror. I do, then I see her. She looks so pitiful that I have no choice but to help. I tell her “don't let life get you down.” She nods. “You have to bite into it.” Life, that is. “You have to swallow the failures and make room for opportunity.” I heard somewhere that people who talk to themselves are smart. I hope that´s true because it feels stupid.

I´m going to write them a letter. Myself, specifically. I really hurt her and I must apologize before it’s too late and things get awkward. That feels like the right thing to do. I made a mistake, so now I say sorry. But that's not enough, I don't think. I should explain why my actions were wrong and how I learned from them. Like in middle school: when I got in trouble, my teachers told me to reflect on my poor behavior. They said I would gain something valuable from doing so. It worked, I admit that now. And it probably made my teachers feel good, so I hope it makes you feel good too. The thing is, I don't want to apologize. I’ve done something I feel is acceptable but no one else feels the same. I have tried to justify myself but other people still disagree, and now I feel like a bad person. Yet I want to stay true to myself, so apologizing has turned into a choice between proving that I’m a good person and standing up for myself.

I gave you the letter today. Actually, I read it out loud. I do that now. Afterwards, I wanted to go back and tell you the letter was complete bullshit because I realized I sounded selfish. I wrote this letter just to make me feel better. It may have sounded insincere. You (I) will think about my words for a long time and not feel good. You (I) might feel confused. If that’s the case, I don't think I learned much from middle school. I should have apologized.

I can´t decide if I´ve made another mistake. The letter, I mean. I looked at you in the mirror, all pitiful, and spoke looking at my feet. I must’ve looked funny. But the morning doves clapped after my speech. That made me feel like perhaps the letter was the right thing to do after all. I rushed through it too quickly, but the message was clear:

Dear You,

I made a mistake. I was trying something new because I wanted to learn what life feels like in all its flavors. It’s felt very vanilla recently and I’ve been craving chocolate. I haven’t ever experienced life in coffee or rum raisin before, but now I’m giving myself the chance to. I’m becoming an explorer. There’s nothing wrong with that. Yet I don’t think I went about it the correct way. What I want to tell you is that mistakes are okay. They’re meant to happen because if they don’t, we won’t learn anything. I made this mistake and I hurt you and that’s not a good thing. However, apologizing will ignore the lessons I’ve learned from this situation. It’ll erase my attempt at living. I am sorry for getting you caught up in this mess of mine, but I am not sorry for having done it.

The thing is, I have to bite into life. I have to experience it while it’s hot, then season it to my liking. I might burn myself, but I need to swallow my failures and make room for growth. The hard truth is there’s no recipe to follow. I think that makes life exciting. Its unpredictable nature is meant to be baked with error in order to achieve success. Here’s an example: I went snowboarding last winter for the first time. I used a friend’s board. The trail I took was too steep. I knew I was going to crash but my legs were stiff and my body could not slow down and I suddenly felt the urge to scream but instead I slammed into the snow and broke the snowboard in two. Even though I had to get them a new board, even though I hurt my wrist and scratched up my leg, I wanted to snowboard again. It was exhilarating. That feeling can be addictive.

So I learned that I like to snowboard. When I made a mistake and I hurt you, I learned that life is messy and failure is temporary. I learned that life must be lived unapologetically. I learned that I am a work in progress, like humans tend to be. I learned that I am capable. I learned that consequences are life lessons. I learned that I must embrace unfamiliarity in order to thrive. I learned how to bite into life, and that it tastes good.

May you see my words as more valuable than a simple apology.

Sincerely,

Yourself

Hell in Office 601

Hell in Office 601

 Working 9 to 5 for Eternity

Article by Conner Crosby, art by Alex Wollinka


He wasn’t the prettiest fellow. His long blonde hair swung down over his eyes like he was still in high school. His nose was fat and gray and bore the resemblance of a miniature elephant. Maybe the elephant found a watering hole between the gentleman’s eyes and mouth. Maybe not.

Unlike typical lips, his dove inward at the mouth cavity, rather than outwards. Anybody in the office would have had a very hard time trying to kiss those lips. The elephant nose would surely get in the way, and even if you managed to reach his mouth, there would be nothing at all to kiss. More trouble than it was worth, certainly.

He was six foot four inches and thin in all places save for the belly, where a healthy lump of flesh bulged under an Oxford shirt and some white buttons. The lump was shaped like the football he threw in high school.

No matter how you sliced it, Michael Pummel was not a handsome man.

Of course, it didn’t help that he was dead.

But he had gorgeous, gorgeous teeth. They were fake teeth, special-ordered them from a small factory in California. They did not make the nasty clicking sound of most fake teeth, nor did they dry out easily.

I loved those teeth.

The morning began in all the usual ways. I pulled the restless covers of my bed back at six o’clock. I accidentally whacked my husband, Earl Lyle, with the heaviest bedsheet, as I did most mornings. We showered together, as we always did.

While I examined myself in the bathroom mirror, pushing my slowly wilting cheeks upward, toward my shiny eyes, I thought about how old I looked at forty-six.

I kissed my husband goodbye and sent him off to work at First National Bank, and then caught a taxi to the office.

I needed the ninth floor. I had to wait five minutes for the elevator next to a man who held two screaming babies and smelled like a gruesome mixture of vomit and baby food. I grimaced and pinched the shaft of my nose. I tried to pretend I was just itching it, so as not to offend him, but it didn’t work.

“Sorry,” he whispered. “I think I bit off more than I can chew.”

“Clearly,” I said, and forced a smile. His cheeks became very red, and we waited in silence for the elevator. One of the infants vomited some baby food.

The elevator hummed a short “ding,” and two metal doors slid wide to reveal Darin Deeterdotter, a man from my work, with his hands clasped over his groin.

The vomit-speckled man sprinted onto the elevator, while Darin waddled off it as quickly and deliberately as was possible for a man of his great weight. The unfortunate result was that the two men collided, smashing one of the babies between them.

The infant smashed between the two gentlemen screamed ruthlessly, and the other child vomited green a second time.

“Terribly sorry, sir,” said the man flanked by the babies.

Darin Deeterdotter said, “Er…um…excuse me” to the other gentleman, then proceeded to cough in fits on me without covering his mouth. He cupped his hands tighter over his groin as he clumsily padded to the restroom marked “men” on the other end of the lobby. I didn’t think he would make it, and I didn’t find myself wishing he would.

When I stepped inside the elevator, the man with the babies asked, “Which floor?”

“The ninth, please.”

He punched the button for the ninth, and all at once, the elevator leapt abruptly upward, worsening the headache of the child injured a minute ago. The infant screamed relentlessly. Her father turned away, plugging his ears.

I walked two paces to the baby and patted its head. The baby calmed and began to giggle. I worked up a laugh, too, but for one reason or another, couldn’t let it out. I thought maybe the man would look over from his place on the other side of the elevator-- maybe he would be impressed at my ability to calm and soothe his child.

Instead, he just kept staring at his reflection in the warped metal of the elevator’s insides. He looked awfully sad to me.

Tired of her father, I gazed at the laughing baby, admiring her pearly teeth. They were just coming in, protruding through her gums, but the tips of them glistened softly as they caught the cold light of the fluorescents.

“If only I could have those pretty, precious teeth,” I said aloud.

The vomit-covered gentleman had walked over to the other side of the elevator, leaning on the doors, next to a yellow sign that read, “DO NOT LEAN ON ELEVATOR DOORS.”

I did have those teeth, once. I had those teeth when I was the baby’s age and coughed up baby food and vomited on my father. I wondered what happened to those teeth.

A small digital display on the upper left-hand side of the elevator counted down the floors to nine. Long seconds lingered between the numbers seven and eight. Longer seconds lingered between the eight and the nine. The elevator was still learning how to count.

Finally, a tender “nine” fluttered onto the digital panel, next to a pointy pyramid made of tiny red rectangles. The elevator squealed a little, giving a brief “ding” exactly like the one it gave in the lobby. The sound was familiar to me. The smell, on the other hand, was not.

When we reached the ninth floor, the entire elevator filled with a wretched odor. The stench was very much akin to a mixture of iron and dog excrement, with a few hairs from the dog thrown in for good measure.

After another ding, the elevator doors parted. The man’s shoulder slipped on the laminated yellow sign telling him not to lean on the doors, and he fell headlong into the widening gap between the doors. Though I had no idea at the time, I would later take a fall just like it.

His chin greeted the carpet unkindly, and the carpet replied in turn. When he lifted his head from the floor, his left cheek bore a long and red streak, as though a couple of racecars had used his face as a race track. His lips were swollen and he was missing one of his front teeth.

Incidentally, the other baby had been crushed in the fall. The man checked to make sure it was still breathing, then fished around for something in his mouth with his tongue. After a minute or two of search-and-rescue, the tongue emerged from the caverns of his mouth with a short yellow tooth. He drew his hand to his mouth, and delicately lifted the tooth from the very tip of his tongue, as if he was a waiter, the tongue a large platter, and the tooth an appetizer plate. He looked at me, and winked. A thread of saliva dangled from his chin, and a trail of blood from his tooth.

I hesitated inside the elevator, contemplating whether I should get off on the ninth floor. The elevator became impatient, and started to close its doors. I thought about letting them close softly, without fuss, letting them suppress the awful aroma, letting the smooth smell of tulips in the lobby rinse my nostrils clean. But routine was an able persuader.

I stepped out onto the ninth floor and stood a few feet from the man, who was still wiping green vomit from his tie.

I patted one of the children on the head, then said, “Goodbye. It was nice to meet you” to the baboon man. He just smiled and started polishing his shoes. I shrugged and faced in the direction of Office 601, headquarters to The New New York, the newspaper I wrote for.

As I rounded the corridor before Office 601, the iron-excrement smell grew progressively stronger, so that soon the fingers on my nose shaft made no difference at all.

When I made it through the corridor, I saw a crowd gathered around the doors of Office 601. Editors, writers, photographers, lampooners! Window washers, for Christ’s sake!

Everyone stammered something, and everyone pointed their eyes and fingers at a curious object on the carpet. I was still too far off to make out the object of their fascination, or hear what they were saying. Their words congealed in an ugly mess of profanity, insanity, and disaster.

I became increasingly curious about that smell, about the crowd, about what lay on the carpet. The smell bothered me less and less. I flung a few strands of chocolate hair off my forehead, cleared my throat, and headed for the doors.

“Hello, Rita!”

I sunk my eyes into the crowd, expecting to see a familiar face staring backwards at me. Nothing.

“Over here!”

This time, the strange voice came from the west, and not the north, the direction it had come from when I first heard it. I swiveled my head, and saw Miss Kitty, the receptionist, sitting in her usual spot at her pink plastic desk.

“Hello, Miss Kitty.”

I worked through her features with my eyes. She had short, frizzy gray hair that she liked to pick out of her scalp at various intervals of the day. Now was one of those intervals. She plucked a hair and studied it calmly, turning it 360 degrees in her hands. A brown louse clung to one end of it, fearing for its dear life.

Miss Kitty was often quite difficult to spot because her skin that was so white and worn blended in with the equally weary walls.

As I approached her desk, the camouflaged receptionist flicked the strand of hair and the louse on it behind her chair. I took a complimentary peppermint candy from a dish on her desk, hoping it would help with the smell.

Kitty chortled, then said, “You should really see it in there, hon. Quite the spectacle.” She tried to wink but failed because she never learned how. She paused, staring at a fleck of white dandruff on the pink of her desk, then said, “Enjoy yourself.”

Now more curious than ever, I hurried to the doors of Office 601. I struggled to see over the scores of New New York employees, each of whom were much taller than I remembered. While I waited to squeeze through a gap in the crowd, I heard rumblings:

“Ha! What an ugly jerk.”

“Yes, but at least he’s made a scene!”

“Dee Dee! What a terrible thing to say!”

“I thought it was a compliment.”

At least two of the voices came from the mouths of Darin and Dee Dee Deeterdotter. They should have filed for divorce three years ago. I had little idea how Darin got back up to the ninth floor so quickly after emptying his bladder.

Eventually, I found a gap in the crowd and slipped through. When I saw the spectacle with my own eyes. I nearly fainted.

I screamed, “Michael! Oh, Michael!”

I sank to my knees. My outburst attracted the attention of the crowd. Every eye landed on me, and the room grew silent.

My cubicle neighbor, Michael Pummel, lay dead on the carpet. A small pool of blood gathered around his hips and stomach, drenching his clothing.

The cry prompted my boss and the editor-in-chief, Mr. Carmacki, to emerge from his private office. As I watched him shut his door, I looked around the office, expecting something to be awry. But Office 601 was muted, and dry as dirt. None of the workers in the office except me thought to decorate their cubicles with personal belongings. They hesitated to bring anything to work remotely capable of disrupting the boredom that pervaded Office 601. I, for one, brought a framed picture of my husband and my dog, and a little statuette of Wonder Woman to remind me of my undiscovered strength.

Mr. Carmacki hurried into the crowd and vanished from my view for a while. After a minute, he reappeared, across from where I was kneeling. Between Mr. Carmacki and me was Michael Pummel.

I looked up from Pummel at Mr. Carmacki. He was a short, thin man of only five feet, and he was slowly losing his hair. Unlike Miss Kitty, though, he did not pull it.

He always wore the same white shirt and blue sports jacket and it was easy to tell he did not own a washing machine because he reeked. He attempted to mask the odor by applying liters of extra duty cologne. It tended to make the situation worse.

Mr. Carmacki sweat profusely at all times. He and his secretary, Dee Dee Deeterdotter, had this in common.

“What the hell is going on?!” Mr. Carmacki shouted. When no one answered, he looked around the room, until his eyes fell upon me. He paused for a moment, guffawed, and said, “Rita. Oh, Rita.”

He walked past the body to my place on the carpet, accidentally stepping on Michael Pummel’s pinkie finger.

He said, “Whoops!” and laughed.

Dee Dee Deeterdotter echoed his laughter from somewhere in the crowd.

When he had finished laughing, Mr. Carmacki kneeled next to me on the floor.

I resented his embrace at first, fighting the body odor, drowning in the fumes of expired cologne. But as Mr. Carmacki pulled me closer and the hair on the tops of our heads tangled together, I found that I was grateful for the new smells. They overpowered the smell of Michael Pummel lying lifeless in front of us.

“There, there,” Mr. Carmacki whispered.

Just as I was about to say something, he untangled my hair from his, coughed, and stood abruptly. I was surprised to discover that I had leaned into him so much during the embrace that when he stood, I fell forward onto the carpet.

Unlike the man I met in the elevator I caught myself with my hands. If I had not reacted so quickly, the blood from Michael Pummel would have moistened my hair and face.

Mr. Carmacki loomed over me and giddily shouted, “Whoops,”. He bent backwards and bellowed with laughter. It looked suddenly like his spine might break. That would have been nice.

Without hesitation, Dee Dee Deeterdotter broke from the crowd and joined Mr. Carmacki. She placed her hands on his chest to balance herself as she, too, shook with laughter.

“Oh, Missus Dee Dee Deeterdotter!” Mr. Carmacki said.

Dee Dee Deeterdotter was exactly like Mr. Carmacki in every way, except that she was female. She, too, decided to buy a twenty-ninth pair of shoes rather than a new washing machine. Like Mr. Carmacki, she sweat profusely at all hours.

She liked to wear revealing purplish shirts and flirt with Mr. Carmacki, particularly when Mr. Deeterdotter was watching. Often, she unbuttoned the top three buttons of Mr. Carmacki’s shirt so that equal portions of their chests showed. When she did so, she and Mr. Carmacki were practically twins.

I gathered myself, and stood, peering at the body of Michael Pummel. I gagged twice.

“Has anyone called the police?” I asked.

“Called the police?!” Mr. Carmacki replied in astonishment.

“Oh, honey,” said Dee Dee.

When Mr. Carmacki realized I was serious, he walked very methodically over to where I stood, staring at Pummel’s body until he reached me. When he stood directly in front of me, he drew his finger below my nose and wagged it.

“No, no, no. Absolutely not. Dear, dear Rita,” he said.

“Deary,” Dee Dee echoed.

“We are the finest newspaper in New York.”

This time, Dee Dee raised one of her bushy brown eyebrows and tilted her head a little.

“This is the greatest story of all time. And Rita, darling, you’re going to write it.”

“What?” I asked.

“Oh, yes, darling. You knew him best, after all,” said Carmacki, with a smirk.

Dee Dee’s pet Yorkie lapped up some of the blood around Michael Pummel. It acted like it had not had a drink of water in days.

I said, “Um…Dee Dee…your dog.”

Dee Dee beat the Yorkie violently with her purse. I had to turn away.

Mr. Carmacki said, “Now, Rita, we will all help you with the–er–investigation, with the analysis of the body. We begin by soliciting the aid of your new cubicle partner, who shall replace the delightful Michael Pummel.”

I felt a nudge behind me. Something struck my backside. I turned around, only to see the man from the elevator. He no longer carried the two babies.

Solomon Summers waded inside the waters of the crowd, then emerged.

“Hello, sir,” Summers said, straightening his tie and checking his reflection in the face of his watch.

Mr. Carmacki said, “Perfect. Well, Rita, don’t be rude. Say hello.”

I answered, “Yessir. We met in the elevator, sir. Hello again.”

Carmacki nodded and smiled without parting his lips. “Good, good. Very good. Now, Solomon, I want you to make the first observation about Mr. Pummel here.”

Summers walked in a couple of circles around the body, then turned to face Mr. Carmacki and said, “I notice he has no teeth.”

Everyone gasped, including me.

“Very good. Very good. Now everyone here knows that Michael Pummel had beautiful white teeth from California. But the gentleman could have easily left his teeth at home or forgot them in the restroom or something. No. I’m concerned with the method of murder. I notice, for example,” Mr. Carmacki said, as he circled Michael Pummel, “that he’s bleeding from his stomach.”

Everyone oohed and ahhed at the exciting discovery from Mr. Carmacki. I did not think it was a very good discovery. I noticed Michael Pummel bleeding from his stomach when I entered the room.

Mr. Carmacki said, “Now, Dee Dee, what can you observe? Give Ms. Rita something good now, for her article.”

“I notice he is staining the pretty pretty carpet the handsome handymen just laid,” Dee Dee said, with a wry smile at me. “And I notice he’s the ugliest man in Office 601.”

Mr. Carmacki said, “Excellent, excellent, Dee Dee! The finest observations thus far.” Then, he looked at me, and said, “Now it’s your turn, Rita. What do you notice? We want to capture an audience, now. Remember that. Capture your audience, Rita.”

Mr. Carmacki beamed at me, drawing his lips high on his cheeks. I looked from Mr. Carmacki to Dee Dee and Darin Deeterdotter to Solomon Summers, then back to Mr. Carmacki. “I notice,” I said, twisting my mouth into a frown, “that Mr. Carmacki wears Michael Pummel’s false teeth.”

Everyone gasped except me. They looked toward Mr. Carmacki, dying to have a look at his teeth.

Mr. Carmacki gathered his lips to one side of his mouth, and chuckled with his lips closed. He was careful not to open his mouth. Everyone in the cool room looked toward him expectantly, entertaining the new possibility. A man in the back eating an egg sandwich curled his eyebrows a little and Darin Deeterdotter choked on his iced tea.

Even Dee Dee Deeterdotter, who had flirted with the editor-in-chief only moments ago, stepped back a little, putting some distance between herself and Mr. Carmacki. Her Yorkie followed suit.

With a nervous smile, she said, “Mr. Carmacki, that can’t be true. Of course not. It wouldn’t be. Is it?”

Mr. Carmacki smiled, and for several long seconds showed Dee Dee two rows of gorgeous, moist false teeth from California, then replied, “Of course not.”

But Darin Deeterdotter said, “Miss Rita is right. Those are Michael Pummel’s teeth!” pointing at Mr. Carmacki’s mouth. The crowd agreed, shouting and jeering at dear Mr. Carmacki. The man with the egg sandwich pushed through the crowd, tipping some of his coworkers over. He walked to Mr. Carmacki, shoving his face in front of his, and said, “Open your mouth.”

Mr. Carmacki sweat more than I had ever seen him sweat, making him smell worse than the dead body of Michael Pummel. He slanted his eyebrows downward and sucked his lips into his mouth like he had just dined on a lemon. He rubbed his hands together, stomped his feet, and refused to open up.

The egg sandwich man screamed, “Open up!” and the crowd thundered in unison, “Open up!”

When Mr. Carmacki did not open up, the man’s hand darted to Mr. Carmacki’s mouth. He tried to pry Mr. Carmacki’s mouth open with his index fingers, but Carmacki pressed his lips together so tightly it was impossible to get a good grip. When the crowd saw what trouble the egg man was having, they catapulted into motion. All at once, editors, writers, photographers, and lampooners hurtled toward the editor-in-chief, pulling at the sides of his mouth, his lips, his gums, his tongue.

As torrents of The New New York employees punched and kicked and drew a little of Mr. Carmacki’s blood, he responded in turn, biting and clawing. A couple of lampooners grabbed their fingers and howled in pain when Carmacki nipped at them.

Miss Kitty’s voice came somewhere from the west—no, the east—and soon, she too joined the fray, helping to wrench Mr. Carmacki’s jaw. As his hair escaped from its prison of gels onto his forehead and as he pressed his lips inward and as a few of his writers pummeled him, he almost looked like…almost like…

“He almost looks like Michael,” I whispered.

Suddenly, Mr. Carmacki screamed, “It was Summers’ idea! It was Summers’ idea!”

I had forgotten all about Solomon Summers. He was no longer in Office 601.

I thought about helping him look for Summers, but I was so tired of voices from the crowd. I was tired of Mr. Carmacki and Solomon Summers and Darin and Dee Dee Deeterdotter and the egg sandwich man and Office 601. I was even tired of Michael Pummel. Even tired of his smelly, wet, dead body.

I picked up a pen I had accidentally dropped amid all the ruckus and hurried out of the wretched Office 601. I found a little bench next to the ladies’ room to sit and rest. I rocked back and forth in my chair and crossed my legs. I thought about the time Michael asked me to come to dinner with him, the time he asked me on a date, before I married Earl.

Michael and I each held an edge of the dessert menu and each drew a finger to the third item down, “warm brownie with soft ice cream.” When it came, Michael was the first to attack it with his fork. As the fork carried a morsel of brown to his mouth, I saw a short slice of white chocolate submerged in the frosting. Just another false tooth.

After the brownie, we walked the pier. He held my hand and we trotted quietly in the direction of a little lighthouse on the horizon. I let the sun sparkle on his false teeth without saying anything, staring into his mouth. His mouth and those false teeth had a strange effect on me, and I thought maybe, in hindsight, that it had a similar effect on Mr. Carmacki. And that was why he killed Michael and stole his teeth. Or maybe it was just envy.

We traveled the length of the pier without speaking a word. I looked out onto the ocean as it stole a little piece of land and then returned it, over and over.

I looked over at Michael, to see whether he was watching the ocean, too. The more I peered into his dull eyes and balanced my gaze on his too-long face, the more my hand slipped from his. I felt myself pulled from him, as though caught in the ocean’s current. I released his hand, surprised to discover that mine was shaky and clammy. I asked him to take me home.

We saw a lot less of each other after that. Michael was still my cubicle neighbor, but I edited my own pieces, without him or Mr. Carmacki, and found another photographer for my articles. Every once in a while, he turned his head in my direction, looked into my eyes, and smiled and, for a brief moment, I felt like I did in the restaurant or on the pier.

All of a sudden, something caught the corner of my eye. A man walked out of the men’s restroom next to the bench where I sat. As the door swung shut behind him, I thought I saw a child through the narrowing crevasse. After a couple minutes, another man exited, flinging the door wider than the last gentleman. When he stepped aside, I again studied the gap between the door and its frame, getting a rare glimpse at the inside of a men’s restroom. Once more, I saw the round, fat face of a child. No, two children. They were sprawled on the ground in the back of the restroom, crawling on four feet and wailing. Just as I began to study their figures, the bathroom door slammed shut. The only thing I could see after the door closed was a section of toilet paper caught between the door and its frame, wavering, trying to decide whether it should unstick itself.

Panicked, I made for the men’s restroom, marked by a white placard in the shape of a body. Above the body, a circle floated, and when body and circle came together, they formed a person. Of course they did. But because of the funny way the circle levitated just above the body, it looked as though the person had been decapitated.

I hoped everyone had left the restroom, so I could investigate the matter of the children in private. I looked to the left, along the wall with the urinals. No one. There were no legs dangling from the toilets in the stalls, either.

I reached for the lock on the back of the door. A piece of pink squishy gum was plastered onto it. Little black hairs from an unknown animal strangled the gum, twisting around it like anacondas.

I screamed when I saw the children. Good grief! They were Solomon Summers’ babies! He had left them in the men’s restroom and fled.

Long tears trickled down each child’s face in a gentle stream. As I met them on the other side of the bathroom, I could not help but echo their tears. I was not sure what I was crying about. Was it the plight of the babies, rolling in puddles of urine on the floor of the men’s bathroom? Was it Solomon Summers, their father, and sweaty Mr. Carmacki, and wondering how the world slept knowing it bred such cruel men? Was it Michael Pummel?

I traced the temporary crow’s feet that gathered along the corners of the babies’ eyes as they screamed and I thought about how such agony, such suffering wasn’t supposed to happen until they got older, when they were my age. Or maybe suffering was only supposed to happen and crow’s feet were only supposed to gather if you were like their father or Mr. Carmacki.

I reached for their foreheads and gently stroked each of their skulls in turn. Each infant grew calm and quieted at my touch, like they had on the elevator. They still sobbed, but they sobbed silently, like me.

I admired the real, unstolen teeth arriving in their mouths, and cried a little harder. As I looked at the teeth and felt their soft, shallow hair between my fingers, I whispered, “I hope you grow up like Michael Pummel.”

I paused, resting my hands on their heads. I looked at the yellow stained walls and the curse words on the empty paper towel dispenser and the fallen urine beneath the toilets and said, “But I hope they let you keep your real teeth.”

Teenage Toothaches

Teenage Toothaches

 Biting Back

Article and art by Katie Kamio

I was bitten once and called it a first kiss. It was the sensation of scratching teeth drowned in the illumination of strobe lights on the dance floor. It was thrilling and daring and all of the things I was not. Back then I was a gangly barely-teen, trying to decipher what cool was and how to borrow it. I desperately hoped to be seen in the silence of lunchroom corners and the back of the bus benches. And when I found myself in a large Model UN conference hall, my stomach lurched at the thought of baring myself to the fifty other high schoolers, even under the guise of Canada. 

Back then, I was a shy teen who would rather talk to one person than a group, and never in front of rustling crowds. I spoke in hushed tones until I was comfortable and then my voice would upgrade into fleshed-out consonants and syllables. At the conference, I sat in my seat and bit back words; words I would’ve liked to say, words I didn’t know how to say, words that wouldn’t formulate in my head. As motion after motion was set up, words circled in my head, ballooning until I found myself in front of the room, tapping on the podium. And then they spilled out in a blur of short bursts that I was praying made sense. Years later, my words would slow and my brain would not have to race to keep up with my voice.

No one told me there would be a dance after the conference, and all I can remember is my clubmates dragging me from dinner to a dimmed conference room. The noise reached me first, the rhythm of shaking speakers gathered in my chest before making their way down my legs and out my toes. As the music came through me and took hold deep in my being, I was absorbed into the crowds of people bopping, bouncing to the beat.

In the throngs of elbows and flying hands, we let loose. Our limbs flailing and then combusting in bars of light. I was floating to the music in a chorus of movements. And then there he is, there we are, dancing in a circle of two. A first bite of something new. I can’t tell you when I forgot about the rest, the bubbling speech that followed me from the conference, the words blocked within, the babbling reel of teen angst. All I can tell you is that when he kisses me, I bite back.

Suzanne

Suzanne

 The Smell of Clementines and Smoke

Article by Emma Langas, art by Alex Wollinka

My nails were too short to pierce through the vibrant orange skin of the clementine. Jill, my brother’s girlfriend at the time, peeled them for me. She claimed she loved the smell and the way the scent would stick to her throughout the day. She handed me the clementine piece by piece, and I ate each slice in one bite, juice bursting in my mouth and washing over my teeth. When I was younger, the juice was the only part of the clementine I savored. My dad would share his fruit with me, and I would suck the slices until they lay limp in my hand, a shell of what they used to be, a tangerine cadaver. In fourth grade, I attempted to eat a clementine whole, leaving no crescent moon outlines behind, and promptly threw up before going to school. The odor stuck to my sweatshirt the whole day, haunting me like a heartbeat under floorboards. The scent still takes me back to the bathroom, so Jill would wear the scent for me and I would eat the slices.

Jill gave me my first cigarette my junior year of high school as if it were a slice of fruit. I despised the taste. I stopped until college, but the smoke stuck to me throughout each day in the meantime. I held the cigarette standing in my brother Will’s footsteps, the place where he formed his scar which matches my mosquito bite markings I can’t seem to quit picking. When we were younger, Will and I believed our matching birthmarks were signs we were truly related. Earlier that day, I was gifted my family’s history in the form of letters shoved haphazardly into a manila folder. When I returned to my room in the retreat center, I found several letters from various family members divulging secrets from years past to present. I unearthed words stuck in office walls and locked bedroom doors. Words which were muffled, but not unheard. It seemed so cliche to retroactively hear the trauma running through my family, clinging to us all like smoke. I spent the rest of the retreat filling in the gaps in the stories my relatives told me in the letters; piecing together a history of my home I felt entirely removed from. The gift proved Will and I were more similar than I thought, that our birthmarks gave way to scars as we grew into ourselves. I learned your lungs are the least of your worries. I understood what types of people peel oranges. 

 When you’re the youngest child, everyone believes you exist in a shell, protected from the outside world. In reality, you are the shell which surrounds your family and desperately tries to keep it together. The molten core burns, and everyone believes so furiously you will be the one to escape the fire, but instead you light up, and you harden, and you crack. I saw the lit end of the cigarette Jill gave me glowing bright orange and I imagined sinking my fingers in and peeling it all away, unraveling paper by paper, seeing the words my family wrote spelled out like a will and testament. I wanted to watch the letters burn just as I did, a wildfire built by jumping from tree to tree. I thought the letters gave me closure. I didn't understand why closure felt so hot, like a burning fist stuck in my chest. I know now the letters did not give me closure, but instead taught me how to resent. 

I learned how to resent when my friend said I reminded him of the song “Suzanne” by Leonard Cohen. When he told me, I could feel his compliment washing over my teeth and settling in my lower belly. I dreamed of being the protagonist of the song; a free-spirited woman with a perfect body who feeds you love as easily as she feeds you tea and oranges. My friends laughed at his cluelessness, saying he most likely thought of Cohen’s description of Suzanne as “half-crazy” and forgot the connotation of the rest of the song. I saw Suzanne escape out of my reach like smoke, spreading with the wind until she became one with the sky. Around me, but unattainable. A shell. I will never be Suzanne because I peel my nails instead of the pith of orange rinds, and the only remains of slices I have are the crescent shaped divots in my palm. Day by day, I look among the garbage, and the flowers, and all I find are the carcasses of clementines, juice gone, and I burn. 

I learned how to resent when I sat around a campfire and found every sentence interrupted by smoke stinging my eyes. No matter where I moved, it followed, stalking me like I was prey. My eyes watered in an attempt to extinguish themselves but the smoke came in waves, giving me no time to recover. Everyone else was safe, and the next day, when it rained, my clothes were the only ones that reeked of wood. Sometimes I imagine myself as the campfire, scorching people too hard and staying with them far too long. I went to my first party in high school with Jill and I spent the night talking to a boy who made me hope I could be more than I was, that we could be more than we were. A week later, he told me in a letter that he was too drunk to remember our conversation. I constantly fear I expect too much, and so I never smell like oranges, and I always leave like smoke.

I learned to resent when I read my family’s letters in isolation and silence. The manila folder appeared not as a gift, as it was meant to be, but as a case file. I pick up new clues every couple years, like when I found a letter my Dad hid in my dorm when I moved in freshman year, or when my brother stealthily slid me an envelope on his wedding day. They believe putting emotions in writing solidifies them, and makes them true. I despise writing my feelings towards someone; it seems derivative and evasive. Holding the letters reminds me of how easily the words can be taken away. The only times my brother has told me he loves me have been through print, and I could only feel uncomfortable reading the words. The words danced around the page so impersonally they seemed to mock me. 

I find myself thinking about the day I received the manila folder constantly. I wonder where I would be without it, if I would resemble Suzanne more. Last week I went into the produce aisle and I bought a clementine. The cashier urged me to buy more. I told him I would if my first one was ripe. As I punctured the skin of the fruit with my recently grown out nails, I watched the juice spill in transparent rivulets down my hand. I remembered Will and I are more similar than I thought. The clementine tasted bitter and I did not buy another, but the smell stuck to me for the rest of the day. 

Close to the sun

Close to the sun

 Solar Flares and Human Behavior

Article by Sydney Rankin, art by Leyla Kramarsky

Back in Oregon, when I called into the forest, no one responded. Sometimes rain and moss dripped and whispered back.

 I spoke to the moon often, outside in my yard after my family was asleep. I laid in the grass at the park where there was a soft hill. The sky was a secretive, misty grey. The road was a gravelly charcoal grey. I had come to find the grey nice, like a blanket. The rain reminded me that the ocean was close. And I had friends, but they were spread far out into the woods. It was a 20 minute drive or more to reach them. Their houses were yellow lights in the dark, small pinpoints on a hilly, damp landscape. My car was a solitary space. My room with its light smooth walls was a solitary space. There was so much quiet in my house. Blank quiet. 

Arriving in Colorado from Oregon last year, I instantly got a headache. At around 3pm on move-in day, I cried, overwhelmed. I lay on my newly made Twin XL dorm bed, and the fuzz of my blanket was stifling. The air was hot and thick with my own anxiety, and even the two roaring Target fans could not cool me down. My parents went to get me my favorite drink from Dutch Bros, a Red Raspberry Rebel, to cheer me up. Every single day in Oregon, I would drive under grey drizzle next to masses of dark green trees to get my Red Raspberry Rebel. But, when I guzzled it down on the 4th floor of Mathias, it tasted like shit. 

I used to complain about the rain in Portland. It was too cloudy, too grey, not enough Vitamin D. But living in the Colorado sun, I found that the rays made my head pound.

For months after my arrival, I was sunburnt. No amount of spf could save me, no matter how much sunscreen I slathered on. 


A Russian scientist named Alexander Chizhevsky theorized that human behavior, on a mass scale, is influenced directly by the activity of the sun. He says that the amount of solar flares emitted impacts the actions of communities, people in power, and individuals. Historical events come in cycles, and so do bouts of stronger or weaker solar flares.

He posits that in periods of maximal solar activity, humans go the most loco. We are most likely to incite mass uproars, revolutions, protests; as well as most likely to do ecstasy, have mass raves… the extremes of every bodily motion and energy. His reasoning for this is the excessive sun energy that our bodies don’t have a place for. At the top of the food chain, humans are consumers of energy, and we soak up wavelengths from the tiniest of plant cells all the way to juicy bovine steaks. We are used to taking in the energy of natural organisms. So, when the sun pumps more flares toward us, our personal illusion is that we can take it; we shield ourselves with Gwyneth Paltrow’s best-selling Goop sunscreen, and we stay in air-conditioned rooms. But the sun is doing more than heating us, it is supercharging us. We cannot hide from the sun or the chaos it instills in us. 


I can’t describe these effects better than Chizhevsky himself: 

“rapidity of excitation from the unified psychic center”

“sharp changes in the psychological composition of the masses”

“The sound of the people’s voice is revealed”

“the entire human spectrum of…. immoderation, passion [and]…. insanity dominates”

“epileptic delirium”


       At an average elevation of 6,800ft, Colorado has the highest mean altitude of any state.

While we aren’t by any means one of the highest places in the world, in the United States, we are the closest to the sun.


Living here in this harsh sunlight among these jagged cliffs and plateaus, the drivers are aggressive. People expect me to have more energy. I only cry with others, it’s harder to conjure those depths alone now. Things come to light here; my loudest laughter, my anger, my sensitivity. There’s always a passionate person I can call up for a conversation and a laugh. I can’t hide my light. When I try, I begin to feel dim, because speaking to people here will recharge me more than alone time. People zap me. I speak up more. I have to. I used to be afraid of fighting. I thought a fight was a friendship-ender. I thought that love meant no fighting. I thought that love meant no boundaries. Now I yell “that wasn’t cool!” Now I see fighting as a friendship-beginner. We will know each other so much better afterward. What a relief, I know where I end and you begin. 

Yelling, but then apologizing afterward, is advised. Pushing myself to my limits seems inevitable. We can run the race in Kansas and then we can drive back 7 hours and then we can party so hard that we fall over.

Here in the Rockies, we’re closest to the sun. The only thing, well, the best thing, to do for fun here is to climb even closer. So much information fills our minds while colors and bright studio-lighting fills the trees. The light falls perfectly on your face, it’s surreal. Bright green grass, bluebird sky. Yellow and purple residential homes, wind-chimes and weather-vanes glinting in the daylight. Even when the leaves have fallen, there is still the fiery orange sky at sunset. When you arrive here, you face yourself. Whatever vibrations are flowing silently outside your skin will be supercharged by the white sunlight. Your aura is exploding, like it or not. 

If it scares you, lean in.

When you leave this place, the stark contrast of a coastal valley will have you reeling. 

When I called into the forest in Portland, there was no one listening. Because in a forested valley, a leafy blanket muffles your noise, there are miles between you and your friends. It is darker because the sun does not kiss you there. The forest will cloak you and so will the raindrops. We are showered and showered and we can swim but we cannot yell.

Here, we are almost sitting on top of a mountain. There are trees but they do not temper our noises. The aspens help pass along what we say. You ascend and your voice ascends.

You might think you want silence, at first. You might think you want a break from the clamor and the singing. No, what you want is to join the song. That’s why you’re here, you know that.