Lettitor

Dear Reader,

Chaos is a lifestyle at Colorado College. We juggle jobs, social lives, classwork, and a myriad of responsibilities, all while trying to find the time to eat, sleep, and return missed calls. Blocks One and Two are the most hectic part of the year–campus is covered with yellow move-in carts and discarded furniture, you’re getting daily emails from the three thousand clubs you signed up for freshman year, relationships are beginning and ending. Things slip through the cracks. You forget to buy your friend a birthday card, the bookstore fines you for a long-lost textbook rental, the number in the red bubble of unresponded-to texts rises. Everyone’s life is a little messy, and for everyone, that messiness is different. So for our first issue of the year, we wanted to hear about the unique ways chaos appears in each of your lives. What does it mean to feel chaotic? Does it overwhelm you? Fuel you? Maybe a bit of both?

We asked for chaos, and we got it. These pieces contain all of the wild ups and downs we hoped for. The writers immersed us in the beautiful and overwhelming nature of existence, exploring their relationships with the messy pieces of their lives and inviting us to do the same. Margalit Goldberg talks about embracing a messy room and allowing a space to be lived in. Kanitta Cheah brings us a stunningly tumultuous prose-poem exploring the daunting unknowns of life, and Charlotte describes the controlled chaos of “Hot Girl Summer” which media constructs as an ideal for young women.

As you read through this issue, we invite you to explore the chaos in your life, too. We invite you to try something new, to enjoy the unexpected, to open your mess drawers and appreciate the clutter. Cook without a recipe, dance without shame, say that thing you’ve been meaning to get off your chest. We encourage you to ask questions with no answers and sit with the unknowns.

If there’s one thing we learned while working on The Chaos Issue, it’s that nothing is as neat as it seems. Once you realize that, things get a little easier and a lot more fun. 

Bored

Article by Katie Rowley Art by Koli Razafindandy

In the dingy, poorly-lit, depressing second floor of Armstrong Hall; in his tucked-back office, cluttered with books and chairs, Steve tells me that this semester is my “swan-song.” It’s the ending. In a different book-crowded office, Brandon explains away my feelings of nothingness and pointlessness as a symptom of living in the aftermath. I am a ghost walking around this campus. It is all ending.

It’s been five months since I last had sex. Five months since I’ve been kissed. Five months since hands have grazed the curves of my body. Five months since I’ve felt desire for me radiating in the eyes of anyone. I kissed a boy in the back of my car in 2019, and I didn’t stop kissing different lips until April. I have never gone this long without the feeling of someone’s skin pressed against mine.

One month into my senior year of college and I feel nothing but bored. And behind in everything that is sort of important to me. One month in, and I feel nauseous all of the time. One month in, and the headaches have returned. One month in, and I’m going to bed so early that the sun still fills my room. One month in, and I get so high I can’t speak, can’t think, can’t write.

At his reading during the first week of first block, Brandon reads about a poet’s funeral, and now, I can’t stop picturing mine. I feel it deep in my gut: I am going to die before I graduate. But take that with a grain of salt because I swore I was going to die before 21. I couldn’t stop picturing a funeral. All of my friends huddled in black with their boyfriends and better friends. Every time I get high I think of my death, but I can’t stop swallowing too many milligrams anytime boredom seeps into my consciousness.

I think I am unlovable. A boy tells me that I should be worried about spending the rest of my life alone and, although I know he didn’t mean it like that, I cannot stop replaying the sentiment in my head. He doesn’t know I’ve been worrying for ages now. I stand in front of my mirror, "Nobody loves you and you do not love anyone” repeating over and over again in my head. I want it to be a freeing statement. I do not belong to anyone. I can do whatever I want. But, the confession reeks of despair. Nobody loves me. I do not love anyone. I fear I am incapable of love.

In May I wrote that, “I want to eat nothing and drink shitty wine and be drunk at a party with people I do not know. I think I will die before I feel love again.”

Sometimes I wonder if I have already died. I think I’ve written this exact statement over and over again, but it's true. I sit in the small quad that overlooks the Rockies and don’t recognize a single person walking toward the gym. Not a single one leaving either. I sat in this exact spot as a freshman and wrote about my shitty boyfriend from home and every bit of high school drama I could remember. It was peak Covid and I’m sure I was wearing a mask outside and no one else seemed to be on campus. I didn’t know anyone and that was exciting. And now, I also don’t know anyone. It’s weird, being a witness to your own disappearance. It happens so fast you can’t pinpoint when everyone stopped looking at you.

I got my first headache this summer. Obviously not my first-ever headache, but this one was different. I canceled a date with this guy I didn’t really want to see. I drove to King Soopers and I felt high. I swear I was sober, but none of it felt real. The key in the ignition, the feet on the pedals, the wandering through aisles to get grocery store-grade sushi and blackberries, the drive back, the two-block long walk back to my house. I sat in my room in the dark. I thought of elementary school.

I made a list of all the reasons I am unlovable.

The dead can’t write. It’s just a fact; they don’t have muscles to control their fingers to type or scribble down lists of things they see in the afterlife or lists of reasons why they died alone. Maybe that's why I have nothing to write about. My muscles and tendons and bone and marrow have all disintegrated and someone will find their dust buried somewhere on this campus.

  1. I am too much. I have a working theory that I write better when it is cold and I cannot feel my hands and I am so shaky. A sentence I do not think I can say out loud: I am certain I would be loved if I were skinnier. (A sentence I am scared of even putting into words.) 

  2. Three years ago I brought a boy into my bedroom and now I get scared when I am too high. 

  3. My face is a combination of the worst parts of my parents. 

  4. I am too much of my father all of the time and too much of my mother when she is sad. 

  5. There is nothing here. I am barren. All of the boys can feel it once they sleep with me enough.

    Tequila drunk in the kitchen of a house I am terrified of, I tell someone that my biggest fear is failure. I don’t fail. I’ve never failed a class. Never failed as much as an assignment. I think, in the kitchen, still for a minute, I guess I have failed relationships.

    I think, in a classroom now, for a minute, I feel like I am failing right now. I cannot tell you what I am failing at.

  6. I am so angry and so sad and so scared, I feel as though there is no room in my body for anyone or anything else. 

  7. I think all of my hair is going to fall out. Like an evil witch in a storybook. I stare at my reflection in anything/everything.

    Carly’s mom used to get migraines. I am seven and standing on the edge of her parent’s bedroom. It is summer and hot and the blackout curtains are drawn; it is so dark. Carly is talking so quietly with her mom; I know it is because of the headaches but I cannot help but think it is because she does not want me to hear. We spend the rest of the afternoon stifling the sounds of our girlhood in the basement. We make spaghetti out of playdough and I fail to recognize that there will be a time when I forget what her basement looks like. 


    I fear I have gotten tangled. So wrapped up in my own thoughts; I have nothing else to write about. Nothing else to think about. I have become nothing. 

  8. I write lists about how unlovable I am. 

  9. I sit with my friends and I do things and I go out and I talk to boys casually and I have two dating apps downloaded on my phone and I have two jobs and I have applications to fill out and I have more friends than I ever had and I laugh and I tell myself I am happy but I cannot shake the knowledge that I am nothing but boring. (And no one loves a boring girl.) 

Razor Burn

Intimations on a hot girl summer

Article by Charlotte Maley Art by Liz White

I was never introduced to the sun properly, and maybe that’s why I never really liked it. I saw it for the first time when I was four years old, and not because I was kept in a closet during the years prior or anything like that, but because, as a young child, it never occurred to me to look straight into a powerful beam of light. Who knows what draws a child to finally lock eyes with the sun, but one day at a park in West Hollywood, my time came and I stared straight at it, entranced by its brightness. A Russian grandmother yelled, “Child! You are going blind! Look down at the sand!” I believed her because my head started to hurt, and when I looked back upon the earth, it never looked quite the same. Apparently, we need 20 minutes of direct sunlight each day to be happy. However, every time that I feel the sun creep over my skin, the only thing that I feel is dry. I feel the cells of my skin dying gruesome deaths, and I can hear the old woman’s thick voice warning me about it. I blame her for my fear. 

I sit in the sun's light anyway, for I’m told that the glow that summer gives your skin is more fleeting than youth itself. I’m terrified of aging because I’ve lived a version of it so many times. For every warm and comfortable summer, there is a cold and barren winter just beyond the horizon. It is beloved only for its fleeting nature. I watch the flowers by my dad’s house open up to me, so vulnerable and unaware that, in a short three months, they’ll shrivel and freeze and I won’t even look their way. How could a young woman be naive to her inevitable demise? It’s as though each passing summer is a reminder that we should enjoy it while it lasts. Not just the warmth, but being young. 

While I lay by the poolside of my friend's too-large estate, I don’t feel possessed by the spirit that I feel everyone expects me to have. The liveliness that I saw in the movies growing up with the beautiful, young, wild women, who seemed ignorant to the fears of the inevitable, is no part of my life at all. The viewer knows that these women will be worthless so disturbingly soon, and to watch them bask in the ignorance of what is yet to come is a thrill like no other. In just five years, this playful spirit will be sad, indicative of someone who couldn’t move on. The secret, however, is that these young women are not oblivious. The older I get, the more I realize that these girls know that it will one day come to an end. No woman is immune to Time’s subtle whisper in the back of her ear. 

Perhaps, though, I’m not one of these women from the movies. The cheap beach chair that I’m sitting on is getting warmer, I’m bloated from seltzers, and the harsh early afternoon light does not reflect kindly upon the razor burn coating my inner thighs. The ripples in the pool glide slowly towards the end where my friend’s hopeless situationship is floating upon a small pool toy. He struggles to get to where he wants to go as he flaps his arms helplessly in an attempt to reach the brick edge. He seems so much weaker on the giraffe-shaped pool toy that he’s not as attractive now as when I first met him. This creature–the kind that I spend so much time thinking about and obsessing over–is really so small. 

Don’t get me wrong. There are moments, of course, where I do feel this sense of freedom that summer grants us young women. For me, it's that empty bit of space between one school semester and the next where there is nothing but impermanence. My summer internship at a media company, whose name I can't spell, is entirely temporary. My childhood bedroom is bare of furniture or shitty high school art, and anything I could call my own lies in the houses of various friends across the country, sealed and ready for me to reopen once I move into my sophomore year dorm room that I have yet to see. I have nowhere to call home. I have no responsibilities, nothing to settle into, and even less to call my own. My life is not chaotic, only unstructured. Can other women, the ones that never get these summers of purgatory, have these truly romantic summers? I don’t think that they can. 

I have a hard time understanding how anyone could romanticize this life because I’m not doing the whole ‘Hot Girl Summer’ thing right. I’m not exactly a flawless socialite with daddy’s money, only a girl with six jobs. Nevertheless, they are glamorous, fun, and appropriate summer jobs. I work as a farmers market vendor and a bougie ice cream shop cashier and a nanny and a hostess. I get tipped well and complimented on my outfits and asked out to dinner. During one Saturday morning at the farmers market, while I danced to the live music, the woman at the stall next to me said, “I just wish that I was young and beautiful like you, again.” I don’t know what she misses because I pray this isn’t my peak, but I am terrified that it only gets worse from here. I touch the razor burn on my bikini line, wondering if there is a product that can fix it for me. 

I reflect on the night before when a guy from work took me on a date to the beach. It was sunset, and I wore a flowered, soft-pink bikini worth more than what’s in my bank account. My curly hair was tangled and puffy from the salt water, and as I carefully lit my cigarette, he told me that I reminded him of a painting. “Venus De Milo,” he said. I didn’t know who that was but when I looked up a picture, I thought she was entirely mediocre, and got offended. I blocked him once he dropped me off at home. 

I think that what this all is supposed to be is a time to experience what we were promised but also forbidden from, as young girls. We were raised to be good but always with that subtle message that there’s nothing quite like a wild young woman. Hot Girl Summer is a controlled environment where we can be everything that people want from us but not stray too far. I can sleep with as many people as I’d like, but I will fall back in line at some point, get a steady nine-to-five, and have children at the correct age. It’s just another way to help young women to be everything at once. Free, but not so much so that they get tied up in the folds of nightlife so deeply that they are lost to the streets. It’s only a phase, and it is a girl that I will forget about in a few years’ time. 

I get up from where I’m lying beside the pool and crouch next to a small bush by the edge, plunging my hands into the cold water. I squint my eyes, even though I’m wearing sunglasses, just to scowl at no one. The man that my friend has over, if I can even call him that, asks me what I’m thinking, so I tell him that there’s this guy I really like. He takes me stargazing and to nice meals and we stay out until three AM. However, as he holds me against the cold night air and I think about how right it all is, I can’t help but remember the millions of women, probably even Venus de Milo herself, who have experienced this exact same thing and felt the same way, and I’m reminded of how unextraordinary it all is. Every crazy risk that I’ve taken and substance that I’ve used is all so unspecial, nay, predictable. I explain that I’m just a manifestation of the cliche and that in a movie, my character could be subbed out for any actress and it wouldn’t change a thing. Exactly what I feel, so deep inside of me, has been written about time and time again throughout history because it doesn’t belong to me. My friend’s situationship just watches the ripples in the pool as I tell him this. “Wow, that’s crazy,” he says. I think that it’s the hardest he’s ever thought about anything. 

I leave him in the pool by himself to relax, even though I’d be quite content to stay exactly where I am. The sun is beating down on my head and I’m not as scared of it now as I was just moments ago. I’m smothered in sunscreen but, all of a sudden, aging doesn’t scare me quite so much. When I think about how deeply meaningless my summer of fun is, I can’t wait to be an old woman, because that story isn’t written quite as much. I can’t guess what happens at the end.

Haunting

Article by Olivia Towlen Art by Isabella Hageman

I asked for a prompt. Brandon Shimoda asked: By what are you haunted?

I asked: Well, what does it mean to be haunted? 

A quick Google search produces these two definitions: “frequented by a ghost” and “having or showing signs of mental anguish or torment.”

 I was sitting, legs criss-cross applesauce, on the comfy brown leather couch in my therapist’s office. I would normally jump into the good things that had happened recently, but I couldn’t that day. I had written in my journal just 30 minutes before, “Even in my dreams I can’t receive sexual pleasure.” What does it take to heal? 

 I’ve seen my therapist 33 times over the course of a year, sometimes in person and sometimes over Zoom when I was away at school. This was the first time I ever took my shoes off and crossed my legs in her office. I always sit directly across from her even though the couch sits in an L shape tucked into the corner and I could face away. Sometimes I look her in the eyes when I speak and sometimes I don’t. I never grab the box of tissues myself when I start crying. She always gets up and hands them to me, and I always feel a little guilty for not thinking of it first. I always spread one tissue out on the couch next to me to pile my other used tissues on top of. But not that time. She got up and put the little trash bin in the corner next to me so I could throw them away without getting up. (Andrea, if you’re reading this, I appreciate you.) 

 She already knew about the sexual assault, but I had come to a different place since we last spoke. Some cascade let loose in my brain, uncovering a layer of my metaphysical onion so deep that the tears came instantly. I cried when I told her about the time when I was much younger. When my friend’s mother walked in on me and her daughter naked in bed, one of us performing cunnilingus on the other–this feels so vulgar, I feel so exposed, as if you, the reader, are walking in on it too. I want to cover it up–I forget who was giving and who was receiving. I remember being in so much trouble, sitting criss-cross applesauce on their living room floor, terrified as I waited for my parents to come pick me up. 

I remember being in school and being called to the front office during gym class. The ladies at the front desk used to call me Trouble. They told my brother he didn’t have to answer any questions he didn’t want to, that he didn’t have to speak with this strange woman if he didn’t want to. They did not tell me that. So they put me in a room with her and closed the door and then she asked me questions about my life, about my family, about my brother, what my relationship with him was like, and I can’t remember the rest. 

 Pinching the wet edge of a tissue enclosing a hefty amount of snot I told my therapist about the first time I ever spoke to a therapist. After my parents found out about social services being called and the school visits that me and my brother had received. I remember going some place with my mother, knowing I was there to talk about what had happened. The only thing that I remember from that session with that lady I never saw again was having no answer to her question: “How do you feel?” I don’t know, I probably shrugged. I remember staring at a card with a little face drawn on it, with some expression I did not recognize, hearing the lady ask me, as she turned it over, if I felt embarrassed. And on the other side of the card there it was, spelled out for me: EMBARRASSED. 

 Some things come back with a jolt. I just remembered laying in my bed one night, in our old house, with my dad sitting at the edge of my bed and telling him through sobs and so much guilt and shame that it wasn’t just the one time, or the one friend. That it had been happening a lot before I got caught–I must have known before any of this that there had been something to hide, that there was something to be caught–and I think that I only told him because he had asked.

 We never spoke about it as a family. And I felt like hiding it, so I did. Buried and put away, like it never even happened. A skeleton in my closet to haunt me in private. We ended up moving to the neighborhood where I got caught, and I have passed that house more times than I could try to count. That same house where my friend’s mother would put us naked in the bath together and leave us unsupervised. Where she finally walked in on it and was somehow surprised. Occasionally I would throw up a middle finger as I drove by in my teenage years, but I mostly just tried to forget.

 Periodically, over the years as I grew up, when we were alone, my dad would tell me “You know, it’s ok if you like girls Olivia.” And I always said “I know,” but I didn’t. I said I only liked boys. And I’m pretty sure I believed it, too. 

 I never wanted to get in trouble again. I never wanted to be Trouble, again. 

As I sat all crisscrossed and crying on that brown couch I tried to grapple with the fact that the only sexual experiences I have had with females have turned out traumatic for me. This recent exploitation shedding light on a past I had buried to my core. What I was hiding when I went out clubbing and someone asked if I like women, knowing the answer was yes as I said, I don’t know. The day I shaved my head and some random girl stood too close to me and told me I was beautiful. I’m sure she meant well but I completely shut down. 

I write about this now not for pity, but to clarify, if only to myself, that the skeleton in my closet, the ghost wrapped around my shoulders, does not take the form of my first sexual experiences, a little girl with her head innocently tucked between another’s legs, for the sake of pursuing what felt good. It’s something far more dangerous than that. It’s guilt, and shame itself. Embarrassment that never should have been mine. 

The Hermeneutics of Lucidity

(Try) to See

Article & Art by Lucy Kramer

Lucidity

At the same time that it disintegrates, the boy is pulling into his lungs. You might also be looking at his half-closed eyes, or his hands wrapped around the filter. You might be looking at the dinner table where I wait for our tuk-tuk back over the bridge, away. You might be seeing this as the last of four days, as the piece attached to years and years. Can you understand that together? You try to see into a face you recognize for all of the time we’ve known. Trying to see into all of the unknown time.

Do you see the red-hot-burning-end of the last cigarette?

Lucidity 

Notes: Call with Grandma Oct 8, 2023 

My grandma has two shelves of craft materials in the living room, alongside Fox News and grandpa’s coffee steam. She is organizing the bins, getting rid of whatever she has not used in a year. She knows each color of paper, each stamp, each glue stick. Five months, a week, two days since last touched. The shelf is sitting in the middle of this room they stay in. She knows where to find everything // in here. Have you seen the room? It’s not in the closet anymore—Grandpa ordered new shelves, we repainted—everything white. Lucidity, she says, is to be functional. She begins working on my birthday card–a vest with my name on it—several weeks before July 18th. “So I can grasp exactly what I want to do. It’s like click click click; oh then I’ll do this, oh I’ll do this. I’m jealous of the people who know what they want to do at the beginning.” I open the card. Inside, there are cut-out paper objects in the pockets—a passport, a pencil, my book, a map of the world.

Lucidity

“I would have never thought of that word, but it’s perfect. For both of you. I would never think of him seeing there were no eggs, thinking that he needed to get more, and actually getting them.”

A, (then) B, (then) C, (then) 

Lucidity

Gender Troubles are, among many things, the fight for intelligibility—to be seen as a human, or to be known. Judith Butler posits that “the ‘coherence’ and ‘continuity’ of ‘the person’ are not logical or analytic features of personhood, but, rather, socially instituted and maintained norms of intelligibility. Inasmuch as ‘identity’ is assured through the stabilizing concepts of sex, gender, and sexuality, the very notion of “the person” is called into question by the cultural emergence of those ‘incoherent’ or ‘discontinuous’ gendered beings who appear to be persons but who fail to conform to the gendered norms of cultural intelligibility by which persons are defined.”

I, the “person,” exist only through the ill-fitting clothing of tightly-aligned categories. Woman. Pre-recognized categories. Through these clothes, I recognize myself as I see others recognizing me. And yet, despite our best attempts, we fuck up at being something intelligible—easily intelligible. Made sense of. First, let’s say-–we already make sense. It is that sense that already exists. What is intelligible to what I am? I don’t want to leave the protection of apprehensibility, but inevitably, accidentally, I do. The chaos is subverting what you are: to become.

Lucidity

In the 1970s, the newly-created work force of young, unmarried Malaysian Muslim women were falling possessed on the floor of American, Japanese, and European factories. They were harassed by their male supervisors. The factory displaces spirits that reside around bodies of water. Those possessed knew this. “Thus, spirit imagery gave symbolic configuration to the workers' fear and protest over social conditions in the factories. However, these inchoate signs of moral and social chaos were routinely recast by management into an idiom of sickness.” Maybe we think of knowing as something that can be said clearly.  Sickness, on the other hand, is falling on the floor, screaming. Can’t work. The women // can’t function // to make things. They hold the understanding of chaos. The boss // can’t function // to see the world // he interferes with. He underestimates the potency of a reality he didn’t consider. As the psychologist put it: their “mass hysteria.. ‘psychological aberration’... should be handled ‘like an epidemic disease of biological origin.” A lucidity that cannot be afforded to spread. 

Lucidity

Look at the page you are holding. Holding it, touching its edges. 

You are in a building. Touch the walls, the teeth of possession screaming out of the land. The landscape  became toothed, armed, manufactured. They are measly, held to the ground, attached through concrete stitches. You walk over every day. Feel your feet hit them. Tear them out. Touch the page. See where it is from. See if it resists you. 

Lucidity

I have a two-paged google doc. Lauren and Julian in a hotel room on one side, a clouded sky on the other. I print double-sided, and tape it to my window. As the sun comes up, the rectangular shadow of a page hits the other side of my wall. In the morning, in the full sun, the pigment of their gray-scaled bodies cut through the white clouds. Through the night, all that I see is the clouds hanging on my window. I think about the image I left on the other side, what it might look like tomorrow, again. Light cuts them into the same surface, the front and back in the same place. They are nowhere// in the cloud // a page // somewhere real. 

Lucidity

“I would go to work, come back, and wait for the next day. It wasn’t that I was sad or upset. I didn’t care about time. It wasn’t the place, because I felt at home also for a few weeks. It wasn’t quite real. 

It seems crazy, but your brain is also chemicals. Thank God.”

Lucidity

“We” are negative spaces between electrons. // When we die, it brings her comfort that our parts will become something else. Atoms, organs, systems, breathing in and out (walking to class). We are always around each other. Sometimes, we see each other’s eyes. Two letters–W, E. One syllable in the English language. We take this as our own, living through the word. A collection of “I’s.” The pronoun grammar of “I” and “we” is a signification of an I and We that then exists. The word creates the we. When I speak “we,” the corners of my lips come together, separating when the sound has passed. We are small (clouds). We are big (the particles that make us).

Judith Butler, Gender Troubles, 23.

Aihwa Ong, “The Production of Possession: Spirits and the Multinational Corporation in Malaysia,” 33.

Aihwa Ong, “The Production of Possession: Spirits and the Multinational Corporation in Malaysia,” 35.

Dr. P. K. Chew "How to Handle Hysterical Factory Workers" 50, 53.

Messy Girls' Club

Article by Margalit Goldberg Art by Zoe Harrington

This is an ode to places where things don’t have a place. An ode to my messy girls, the ones who aren’t afraid to take up space. And an ode to the people who love them for and despite of it. Us messy girls let ourselves and our things float and get lost and be found again when they’re something entirely new. We are the people who feel more comfortable being out of place and not letting others decide where we should go. 

It is easier to keep track of myself and my belongings when they are scattered about for the world to see. When clothes are worn once but not dirty enough to be put in a hamper to be washed, the obvious solution is to leave them on the floor of my room until I wear them again. When I need to find something at the bottom of a bag, it makes the most sense to dump the whole thing out. A junk drawer is a necessary part of any space I inhabit. 

I used to be anxious whenever I lost something. I would panic and violently tear apart my room until I found it. If I didn’t come across it buried under my t-shirts, stuffed into a dresser drawer, or under my sheets at the bottom of my bed, I’d feel disappointed in myself for misplacing it. Now though, I’m wise enough to know that nothing really belongs to me. If a book wanders off into some other hands, so be it. That’s the life those words want to live. 

Messy girls know that making piles is an art form. Every time a pile is created there is a completely new common denominator. This is a pile of clothes I think I’ll give away but need to try on one more time just to make sure. Over here is a pile of miscellaneous papers and things I’ve picked up from the sidewalk that could be good for collaging. That right there is a pile of books I need to return to either the Tutt Library or the Pikes Peak Library. And those piles will sit on average for 2-3 months before the task at hand gets completed. Or more likely they get swept up into a new pile. A pile of piles, one might say. 

Every messy girl needs their perfect messy roommate. Someone who won’t be surprised when your shower shoes somehow end up under their bed. Someone who also has to throw at least five things onto the floor from their bed before they go to sleep. Someone who knows that Sunday morning is the time to put on a record, clean up your whole room and pray that it will be at least Monday afternoon before it returns to looking like a tornado ran through your space. She will be someone who finds a perfectly good bouquet of flowers in a trash can and brings them home and will send you a photo of an uneaten but unwrapped sandwich sitting loose on the bench of a subway station, simply because she appreciates how out of place it is. 

My parents gave up early on trying to make my sister and I keep our rooms clean. They asked only for us to make a clear path to our bed so that if they needed to get to us in the middle of the night they wouldn’t break their necks. To ask to keep our rooms tidy was futile, mostly because the rest of our house had succumbed to my dad’s clutter (which he argues could all be useful someday). Stacks and stacks of cookbooks he got from the yearly library sale, countless CDs of every different genre, and every kitchen gadget one could imagine. Now that I am older and wiser (and have fully inherited his genes), I am grateful he kept all of his cassettes from college so I can listen to the mixtapes he made his friends and think about the things I have now my kids will be happy I kept. 

It always felt weird to me when I went over to a friend’s house and it was spotless. Where were the signs of a life lived? Where was the chaos? Where were the piles of newspapers and coupon clippings, the mangle of shoes near the front door, the loose dog toys that were always a tripping hazard, and the plates on the kitchen island left out from breakfast? I don’t think I’ll ever bother to tie my life up with a neat bow. It’s more like when you try to wrap an awkward-shaped gift and bits of it aren’t covered well by wrapping paper. 

The person I have chosen as my roommate also adheres to this ethos; that a space should be lived in. Visitors should be greeted by remnants of our activities and possibly even track it out the door. In our cramped double in Montgomery, one almost always left with a piece of yarn stuck to their shoe and a baked good we had made earlier that day. This is the hospitality that our families taught us and that we bring into our shared spaces. We thrive on disorder, and we plan to keep it that way. 

On my complete disorder and confusion

Article & Art by Ellie Gober

I think this is all just a dream. However, I cannot tell if it is a nightmare or not. 

I should know when I wake up. 


Thud. Our truck hits a pothole, my head slams against the window where it was resting. 


Bump. I get lightheaded as the high seeps into the brain, oh, sweet relief. 


Slam. Damaged hearts are great at breaking others, it’s a violent warpath.


Drip. Tears run down my face, off my chin onto an old stolen hoody. 


Silent at first, then screaming:


FUCK 


My mind, my voice 

(tired, hoarse)


FUCK FUCK FUCK. 


Icy, icy eyes

(glacial ice with golden sun shining through)

(glowing white flecks,

 like the brightest stars 

on a new moon night)

Twist toward me, flick into sight, lock on mine 

(my eyes are brown. 

like dirt, or bark, or chocolate, or coffee,

they look like honey when the sun rises)

only to turn back to the asphalt ahead of us

icy, icy eyes 

they freeze further. 

(i love his eyes when they melt, i love when they shine and glow)


I curl into this dirty seat

Frightened, familiar, growing distant… and boom.  


Thud. Bump. Slam. Drip.


It all turns off. I’m back. 

Back to being gone,

video games waiting for me to respawn,

red or green? fuck it. Call me colorblind, you’ll see.


THOSE EYES. They’re so real. But not the reality I need. 

I shiver. 


Where do I go to wake up? I don't want to be asleep anymore.

Where do I go to fall asleep? I don’t want to be awake anymore.


Dreams like this feel too lifelike, maybe because they’re real. 

What’s the difference? 

How do I find out?


This silky black coil in my gut writhes. 

I wish it would become untangled, 

but it ties itself tighter with each breath. 

Choking me. 


I can feel the lacerations line my stomach 

blood crawling back up my throat. 

(inhale slice, exhale slice)

Coppery red

on white smiling teeth. 


Fake smile…mask the confusion.


Thud

Bump

Slam

Drip. 


Hey? 

Hey! Wake up! 

It’s just a bad dream, don’t think about it too much.


(i don’t think

that this is 

       a dream at all)

An invitation to living

Article & Art by Ellie Gober

I was trying to tell a story, but I got lost somewhere.

I do not even remember when or where I wrote it down

“it” being that I loved you.

Mistake mistake 

a hurting mind, 

coiling in on itself.

Don’t call me a lady! it’s not my place.


Who says so? 

An assumption 

dangerous, oh so dangerous

these small teeth 

biting into others

(assumptions are quiet at first)

keep your voice down! 

the room is too warm

too warm 

too warm 

too cold

too much? 

Never. 

 

Why not it is 

IT IS.

it is life,

i can't argue with that. 

Can you?


No? Well then…

Come in, dear, welcome to the 

Heartbreak Hotel.

Chaos in Order and Magic with Spiders

Things are Always Simpler from Up Close

Article by Avery Carrington Art by Liz Emmaline Hawley

I had a little moment and the trouble did arise 

It was the truth of what’s loved, and the dreams so sublime 

I didn’t mean any harm when I showed up at your spot

It was the heat of the moment, and the time it took to rot 


Now I know just between us our mouths remained close 

Not a word left to utter and the passion we chose 

We did our best with all the work we put in 

But it was the chaos and the drama that was the thing that did us in 


I will admit it was messy, and the damage has been done 

At least I can finally say that I wasn’t the only one 


The magic of the mind has no bounds. At night, conjuring grand images and deep secrets from behind two windows, with viewers that saw it all. I conjure paintings of those who I’ve loved. Those loved ones I’ve known, but they become more vivid as they become moving images in my head. Silent images that scream revelations. 


One person I “conjure” is my most beloved friend. He was someone I knew, and he is someone that exists within a different realm. This realm holds more “magic” in the facts of reality than it does in the dreams I can make in my head. He stirred the pot of my mind, and it still stirs with my hands at the mantle. 


We knew each other in a past life, where more understanding came from when we didn’t talk than when we did. And when we did, we talked about different things. He talked about the facts of his imagination that brought an analytical lens to what he kept inside, while I ranted about all the possibilities in the imagination, coming to life from the inside. I produced threads with my imagination and he made rope. We were two types of spiders that shot different webs. 


Our webs tangled with every snag of the fibers. Where we once rebuilt, soon neglect would grow. Is this the pitfalls of love or just two bad players? We tried to build scaffolding in a world that was intangible, and we confused each other when communication was needed. And we don’t talk anymore besides the paintings I see in my head. What we had was magic, and magic has no truth.


Chaos is in magic, and magic isn’t dead

We were just two spiders sitting on the same web

When tangled it bound us and when bound we fought 

We spun this web together and it was the truth that wasn’t sought 


From architect to dreamer we had the same vision 

But it was the data in the matrix that made us fail our mission 

Love theory has no order and there is no peace in the mind 

When sitting on a web we once made together and being alone isn’t kind 


To say it more neatly won’t let justice pursue 

I believe that chaos is love, and love isn’t doom. 

Universal Progress Goes "Boink"

Calvin, Hobbes, and the Pasts We Deny

Article by Sam Nystrom Costales Art by Alex Wollinka

You and I used to bike from the yellow duplex on Van Buren over to the library to look for Calvin and Hobbes anthologies. You’d sit cross-legged in the comics island section, I would plop on your lap, and we’d flip through Attack of the Deranged Mutant Killer Monster Snow Goons or Homicidal Psycho Jungle Cat and read the strips out loud to one another. There was one strip where Calvin tells Hobbes how weird it is that scientists imagined the whole of the universe exploding from a dot and still only managed to come up with the name Big Bang. He concludes, “that's the whole problem with science. You’ve got a whole bunch of empiricists trying to describe things of unimaginable wonder.”

I asked you what you thought existed before the Big Bang, and your closest approximation to an answer was that as a kid, bored in Sunday school, you’d try to picture what existed before God. You came up with the idea of a huge gnarled tree blossoming a single flower out of which He fell, free to create the rest of the universe. Grasping for a more secular answer, I settled on the comic book setting to explain the Big Bang, like a big pencil coming down from the sky and marking on a white piece of paper all the little panels and characters. In either case, you start to wonder where the tree came from, or the pencil.  

You tell me on the phone some nights that you regret that things were always so unstable when I was a kid. You’re hoping we can talk about this when I get back; I tell you okay. I feel that I love you too much to hold the past over you in this way. The turbulence you remember was often out of your control. You sometimes bring up the places that could’ve been–New Mexico, Colorado, Chicago. In response I assert that where we are now is good enough. I find myself stringing together memories like the beads in a rosary hanging in your Sunday school class, washing each fragment of the past in a light of gentle passivity. We do the same thing when we try to picture the origin—as if that big pencil in the sky had started with the punchline and then went back to the Big Bang, sketching out the strips in between. The terrifying power of nothingness and the infinity of its possible outcomes starts to lose its power and beauty if we think of ourselves as fated to come into being. As Calvin says, “When you look into infinity, you realize there are more important things than what people do all day.” 

It is so tempting to try and brush aside the past in this way, to render it harmless by accepting the given state of things as if destined to be sketched out by a comic book artist. I too readily efface myself from these memories; make myself a subject to the mysterious hand holding that pencil. At some point I realized that all the moments I think of, the times you could not afford rent, nights spent playing with Star Wars figurines in the back of your grad courses, our patterned flight across this city, are all haunted by a figure I find myself negating—pushing towards the backgrounds of these memories.

 If we’re talking about past futures, I remember soft hands using a box cutter to scrape off the cactus needles that had stuck themselves to me during a hike. I was scared by the razor's edge but those hands worked so gently that the knife barely touched my skin. I remember watching Ice Age 3 on a bed in a garage, curtains hanging on all sides. Running my hands through thick black hair in that park in Irvine. Waiting with excitement for a man to arrive at our door after a 14-hour drive. Chamomile tea with lime and honey when I was sick, a flavor you could never quite replicate. Wandering through countless cities in Southern California while you were at conferences; filling those moments with trips to Knott’s Berry Farm or the Monterey Bay Aquarium. The night we spent in that KOA cabin on the coast watching Johnny English while rain pounded down outside. I remember the wet tranquility of the morning after the storm had passed, the calm air and the dripping pines as the three of us walked hand in hand. 

There is a past in which I had deemed the figure of a stepfather worthy of love. I mistook a muddled attempt at affection, hindered so strongly by his own struggle to escape a sense of patriarchal stoicism, as the same apathy I sensed so often in my own relationship with my father. On the late nights when I find myself slipping and need to talk with somebody, I know to call the landline because your phone will be turned off. So many times has my stepfather picked up the phone only for me to ask for you. Each time I reject his voice at the end of the line I feel a stinging guilt, and yet the idea of opening myself up to his love feels impossible. You tell me he has worked hard to learn how to love; I reject that it has not been enough—never willing to accept that maybe I needed to work too. There is a possible past in which the two of us had grown together. 

At one point, in that house on Augusta street, you found a couple of Calvin and Hobbes books in some old boxes. The covers were worn and tattered and some bent horribly at the spine. Scientific Progress Goes ‘Boink’, Revenge of the Baby Sat. They were my sister’s— she was rougher with her books, or maybe the past had been rougher to them. It was good to have a few of my own; we no longer lived so close to the library. The books felt displaced, fragments of a childhood that still remains so alien to me—you tell me bits and pieces of the past, enough to know she had it harder than me.

 The scars and taped pages form a sort of temporal index upon which you could measure my childhood against hers. There are special moments in Calvin and Hobbes, certain strips where we are left without dialogue and become an accomplice to the two friends—when Calvin and Hobbes bear witness to the infinity of space, we too are left to contemplate the stars with them. These pages are not read passively, instead we elaborate and project our own meanings into the visual form. I wonder now what memories you had written into the old dog-ears and worn edges, which pasts had been set aside in the attic only for you to unfold with me on our plush red couch. Which memories could have been inscribed in those words had I been willing to sit on that red couch with my stepfather instead. The past cannot be rendered harmless, it works its way into attic boxes, waits to be opened up and deciphered. The books reveal a sort of truth about the Big Bang—not about the drawing of origins, the graphite filling of empty homogenous space by a comic book artist—instead as a testament to the inscription chaos leaves on the present, our inability to ever depart from origins.

THE NEXT UNIVERSE IN A MINOR KEY

Article & Art by Kanitta Cheah

This turns into a good story, I promise. Exhilaration is around the corner. Keep reading. Keep turning pages. Aren’t you excited for the fanfare of the happy ending? To see “THE END” in big curly letters? And the iris transition to bookend the perfect story? This is the beginning. This is where it starts. The egg is about to hatch. The bud is about to bloom. Actually, scratch that and backtrack, the egg is about to be laid, the seed is about to germinate. Or: the egg is about to be fertilized, the seed is about to be planted. Or even more: The mother is about to be born. The flower is about to be pollinated. Conceptually, it would be interesting to revise my entire life, only I don’t have the time and energy to repaint my nails, so I don’t know if I could do it. Also, when you paint the walls of a room, it gets a little smaller. When all the walls are painted over again and again, will we still fit in our bedroom? Maybe it is a cave of color.

I’ll paint over myself til I’m as big as the universe. I’ll become like a pearl or some other type of accident. Perfection is asymptotal. That’ll be the end. I’m still looking for the sharp thing, what the sharp thing means, whether it can be me or you. Plus I’ve never seen a coyote before, not in real life I don’t think, I’ve only heard their cries. The self is a string of invisible coyotes. The self is invisible. Only the coyote can see you. Wolves don’t exist anymore, the crows got to them. They need another Catalyst, another word for the Big Bang which isn’t even a word or even a nice-sounding noise; they need another Beginning. The version that goes right, or that goes differently, which is the same thing.

I’m out of questions right now. Does that make me a bad person? Haha, gotcha. Three years have passed, by the way, or three hundred. What a hopeful tenet. Magic will still be there when the Big Bang Part Two Hundred Sixty-Three Thousand Four Hundred And Twelve occurs. I’ve memorized lots and lots of words in an order that is not mine, and they will flow again in the new time as though they haven’t been spoken before, written before, thought of before. They will gain new magic. That’s how mana works, I’m told. It’s close to karma, but not really, because both of those things have been wildly appropriated. Okay. What’s next? That’s not a new question at all, is it? What should I do with the name that I was given? Hopefully I’ll come across maybe like a really big open door because I’m sick and I need space.

Did I catch you skimming? Are your eyes blurring? Am I fading to white noise? I told you, this turns into a good story, why are you falling asleep? Hey. Hey, please yell if you’re paying attention, wherever you are, break some glass, burn your roof, throw an egg at God’s windshield. I wonder if in the next iteration there will be a God, and if that’s what the entire concept of being will be called. I wonder if we’ll all be creatures of magic instead. By the way, I always have something more to say. By the way, there isn’t going to be a fanfare or an ending or an iris out. By the way, I really hate iris transitions.

I want to go in and pull all the words apart; the words that repeat themselves to me, the words that call my given name. I haven’t been recognizing the call. This is an entire book and the book is my life and what came before and what will come next. Time stands still. Time is a lava lamp. Time is upside down. Space is a bubble game. Space moves if you want it to. It gets curly at the bottom. Something has just happened. Something is about to happen. Here, I stumble upon the scene, contextless, contactless. You are here with me. You are too. Maybe there are more of you. I keep doing this, I keep missing the big event. The background is far away. Am I the big event? Did I happen?

Suddenly I want to write a postcard. Look, destination reached, here are three words that explain how I did it: I love you. I made it. Driving was rough. Flight was safe. Mom was proud. Dad finally smiled. Hold my hand. Please hold me. Please help me. Or: Do Not Disturb. No trespassers allowed. Caution Keep Out. And so on. (Please Answer Soon.) Or the postcard is hand-spun Thai silk and all of the words in my world have been spoken as it’s been made. Or the postcard is batik on canvas in the shape of how I feel about my family, you included, all of you. Or the postcard is made of the fabric of the universe and it’s tied to the bedpost. It’s tangled in your hair. It’s stuck down my throat. It’s the stuff of dreams. Dreams are the story, dreams are the sharp thing, except I don’t remember the last time I had one.

Sixteen more years have gone by. And thirteen hours, eight minutes, forty-five seconds. During that time I was nonsensical, mysterious, deep, interesting, something that I don’t fully understand, a medium through which otherworldly knowledge flowed, nonexistent, haunted with no resolution or explanation. During that time I wrote.

I liked wearing clothes that were anti-clothes. I liked coloring my beautiful Chinese hair. If I’m born again into someone who already died, can I change their life? Will they change the one of mine that already ended? I wonder if we would have been friends with each other if only we were alive at the same time. If only we were me at the same time.

The ending comes at thirty-six. I got points off on it for my math test because I didn’t specify which unit. Thirty-six what? Thirty-six elephants? They always used the same examples and I got bored. What creativity is there in muscle memory? What newness is there from existing in the same body day after day? Cells regenerate and elements pass through in a continuous cycle but I didn’t get that email. It got filed as spam. Plus, I got distracted. There’s still coffee in the pot, coffee in a clear mug, ice cubes in the window sill. Some icicles fell off my roof this morning, and the drawer was stuck. The draw-er was stuck. Next time I paint I’ll have to remember to use all the colors we cannot see. Invisible painting. Invisible writing. An invisible museum next. The invisible coyotes will howl real cries at the invisible museum’s invisible guests. Invisible selves shaking invisible hands. The next universe in a minor key. The sheet music is upside down, and God As A Placeholder Name is laughing and spinning on a round stool in front of the pianorgan. Keep making noise. Heels on the pavement. Heels on an escalator. Guitars when you put them down and the strings clang. Zippers. Breathing. Heart valves opening and closing. Ghosts’ footprints in snow. The flood of endorphins. The last suitcase at the carousel, and wedding rings closed in the cabinet. The scratch of a pencil drawing a circle. The squeak of a whiteboard marker drawing a circle. The crash of the universe turning on its axis, swinging on its fulcrum, creaking in its hinges. An accordion. A kazoo, an oboe. A bassoon, a cello. Swiping swords and slicing arrows, and the roar of fire and the spray of water. Bread rising in the oven. Soil pushed by an earthworm. Everything makes a sound. Everything. Makes. A. Sound.

Tired of drafting a grocery list, she puts on headphones and doesn’t play anything, just listens to the blood flowing in and out of her ears, offset by her heartbeat, the air between the cushion and her skin. She wonders if there will ever be a street named after her, if she will ever find her given name in a gift shop on a pocketknifekeychain. You used to wonder the same thing, in the last whirl of time when the universe was right side up. (The only reason you called it right side up being that that was its orientation at the time of your beginning.) You were given a different name the next time around, in the next era of right side up, but obviously you forgot that you had that wondering and you thought it once more. As though the words were new. As though the thought had never been formulated by you or anyone else. Like petals unfurling on single flowers at different times, connected by the same roots and vines. I am lying in wait beneath the fungi that will follow the flames. I am lying in weight beneath the words we’ve saved. Where do you start counting down from? One hundred? Let’s try from three. Give me some ribbon to wrap this up nicely since you’re still paying attention. Especially since you’re still paying attention. The ending’s coming up.


The Question I Can't Answer

A Promise to My Apocalyptic Crush

Article by Zeke Lloyd Art by Jennifer Martinez

There’s a question I can’t answer. 

 

In the afternoons, I often see a man sitting on the corner opposite my house. Without fail, he’s smoking, his auburn mustache and narrow eyebrows set in a hard-cut, directionless gaze. His wrinkled Oxford shirt, always some variation of blue, hangs off him with the top buttons undone and the sleeves rolled up to his forearms.


I never see him move. But on some days, he isn’t there.  I like to wonder about the different places he might be, where he might work, what he might be doing at that exact moment. My mind never tires of exploring the inexplicable . And now, I’ve come to think he’s a better subject for imagining than he would be for interviewing. So on the days he’s not there, I fictionalize. I make up a life and picture him living it.


But most of the time he’s there, stationary, smoking. We’ve never made eye contact. And I’ve never seen him anywhere else. I don’t even know his name.


I pass him so often, I’ve started looking for him. He exudes a strange contentment. I’m fond of it. 

 

I first noticed him around the time my brother left for the second time. It is impossible to draw true meaning from that coincidence—the two men are nothing alike.

 

My brother is 24. He is stoic and comtemplative, his mind forever occupied by a list of queries which, upon occasion, he decides to discuss with a few soft-spoken, simply-put phrases. He intends to live on every continent before he dies and he continues to wonder about the balance between genuine self-expression and necessary social compromise.

 

I was 15 when he moved for the first time. It was June or July, a month before he was set to start college two states away. I was sitting on the couch.I started to think about the next year, our five-person house diminished to four.

 

Abruptly, without warning, I sobbed. He was leaving. It felt like he was going to the other side of the world. So, wrapped under a fuzzy blanket, I cried.


  

But for the next five years, as he moved around inside and outside of the country, he was never more than a few time zones away. 


It’s hard to miss someone. A phone call away is not so far. Mostly I miss dogs, hugs, and home-cooked meals


Sometimes, when it’s been a number of months since my last conversation with a friend, I wonder what they’re up to, how they’re doing, where they are. But in my mind, it sounds like a broken egg timer, a slow crescendo, never amounting to quite enough guilt for me to act.


So I don’t call. Not often. Who does? There’s no rush. Not until they really leave.


I was 20 when he moved to Mananjary, Madagascar.


Lying in bed a few months before he left, the tears came without warning. Suddenly I was 15 again. He was leaving. Really, he was already gone.


I don’t understand much about those moments. I can’t tell you why it comes to me in the form of uncontrollable tears, why they flow so easily, or why it happens at all.


I don’t know what to think about Mananjary, Madagascar. I don’t anticipate I’ll truly understand much about his life there, or how the place is changing him, even with the help of his written and spoken accounts.. But what I feel for him is certain. 


Ignorance and imagining paint a barren landscape. It’s insignificant. It’s monochromatic. It’s fiction. But only on that plain can the tiny flecks of truth’s lonely color take on their true beauty. 


So I love it all: the distance, the mystery, the circumstances which ripped him from my world. I love the man sitting on the corner opposite my house. 

 

It’d be easier to exist in black and white. We could make it all up and explain everything away. We could mistake intimacy for inadequacy because we are unwilling to accept it. We could dissolve opinions into fallacies because we can’t find the words. Or we could dismiss love as a lie because we don’t understand it entirely. But that’s not living. Living is existing with the questions we can’t answer and appreciating life’s certainties as the precious rarities they are.

 

I miss my brother. That’s all I need to know.