Sternal Fractured Love

Sternal Fractured Love

 A tale of a young, strange, and mature girl’s relationship with a guilted and good man.

Article by Frog Choi, art by Tessa Derose

Content Warning: Sexual violence, self harm, discussions of suicide  

“What are you looking for on here?” I ask.

Three days later, he replies, 

“Oh sorry, missed this notification. 

Well, I don’t know if this changes things, but I’m not here

 for anything serious or long term. I guess fun and chemistry.”

“Does that mean strictly online or does it 

normally entail some in person aspects?” 

I’m flirting now. 

“Yeah I mean the desire to come on here had to do with 

wanting something physical and someone I find attractive

(like you) and see how physically compatible we were

if that makes sense. But then in practice I think the whole

thing is complicated with meeting up, so I don’t know. 

It’s always nice to flirt with a cute girl.” 

He told me then what I ignored and later found out painfully for myself: I was not someone serious, only a girl, a flirtation. Right away he needed me to know the capacity he held for seeing me as such. It was a caution ahead sign wrapped in a compliment, enclosed plainly in a blue bubble on my screen. I looked past it all because I never worried about being interested, on any real level, in someone from Tinder. My history on the app consisted of physical relationships, mostly one-offs. Not because I was emotionally detached—far from it—but because Tinder was a refuge for my unlovability. I went on the app to meet guys much older than me in order to saturate myself in unconditional desire. I was never there to find love, I never would’ve been vulnerable enough for that. But I believed lust could last at least a night, maybe even a few weeks. Any longer, I began to fear the inevitable moment when they’d figure out there was nothing there to love.

He was 35 when we met. 17 miles away. His bio read (and still reads): “I’m probably taller than you, you’re probably prettier than me.” We matched when I moved to the Bay Area at the beginning of the Pandemic. In theory, that’s what he meant when he mentioned the “complications” of meeting up. But what he was trying to say was, he was a man who was constantly feeling guilt—“as a Jew and an Irish-Catholic,” so he put it. In a week, he was visiting his ex in West Virginia, to see if there was still anything there. As the cool 19-year-old girl I’d decided to be, I told myself I was unbothered. And at the time, that was true. I really didn’t think I could ever be in a healthy relationship with someone in their mid-thirties. But as we kept talking, it became difficult to ignore how compatible we were and how much I actually liked him.

Throughout our text foreplay and prologue to our relationship, he was always worried about being “good.” One time, it had been a day since I replied to a graphic message from him because I was busy with Zoom school and 60-hour workweeks. He texted me again:

“Are you still into this? I am and have been thinking about you, but if I put you off the whole idea, I’m sorry, just let me know.”

Another time, I was telling him about a date gone bad with a man who harassed me after I told didn’t want to see him again. This was the conversation that followed:

“For all the kink talk of using you or whatever maybe

it’s rich for me to say, but the gamification of dating 

seems to encourage a weird entitlement. But like that’s

 also just a fucked up masculinity thing I guess.”

“Yeah I think it was very much a masculinity 

thing, if not also taking the age thing a bit too 

seriously. He seemed to have a lot of regrets in

 his past and I feel like I was a sort of cathartic 

experience if that’s not weird to say.”

“No, that seems really perceptive actually. Saying 

this as an older man full of regrets. But different 

ones I assume.” 

He was often cryptic and forlorn like that, putting on the whole, “Trust me, at my age you’ve been through some shit” act.

At times like these, I felt like I was living in a Sally Rooney novel. I was the precocious girl, who thought her intelligence made her different and better than other girls. She loved pain, and garnered intimacy through sexual submission. He was the male love interest, obsessed with being a “nice guy,” cloaked in a guise of self-consciousness and anxiety. He was plagued with guilt and regrets, too. 

He asked me what meeting up would look like, if I drove, and if my dad would ask questions. “I know you’re not a kid and all but…” he had said. Eventually we set a date. I listened to Angel Olsen’s “All Mirrors” as I drove over the hill into Santa Cruz. When I got to his house, he greeted me in a vintage shirt from the Monterey aquarium and leaned down to kiss me right there on the doormat. Upstairs, I undressed and lay down on the bed, and he looked at me and said I was “like a vision.” Afterwards, he told me I surprised him because of how comfortable he felt with me. I went over every night that week, right up to the night he flew to his ex’s. I figured that was the last time I’d ever see him, because it seemed like they were likely to get back together. But he texted me the night he got back, using words that made it clear he wanted to see me again. So, on every day off I had until I left California, I drove the 22 miles to him, voluntarily tethering myself tighter and tighter to him each time.


I remember when I asked him to look over one of my essays for class. He was sitting in an Eames chair and I was at his feet while he read, my back resting against his shins. I think he started to stroke my hair or something, but one thing led to another, and then he was standing and I was still kneeling. Facing him now, slacks gathered at his ankles, the cool metal of his Western belt buckle kissed my knee.

“Mm. I’m gonna write you such a good letter of recommendation,” he joked. 

Which was a sordid thing to say, seeing as he taught at the nearby university. But truthfully, he said it for my benefit. I was the one who was thrilled by the difference in our age, much more than he was. I wanted to know that if he met me in the real world—like at a bar, or in one of his classes—he’d pick me and cross that line. In reality, he was shy and I pursued him shamelessly. I struck up our initial conversation, I sent him pictures while he was with his friends, I obliged in all his fantasies, I even let him film me. I did everything that further personified myself as the banal “yes” girl, whose only basis was to recover the blunted older man from whatever or whoever he had felt had last left him disenchanted. 

There was one day when I wanted to go home because I was so depressed. We were lying in his freezing living room on his couch with that red, honeycombed blanket and I had to keep checking the mirror to make sure I still had a face. Every minute that passed was marked by a clicking from the flip clock that resounded through the floorboards.

“I think I’m gonna go. I’m not feeling that well,” I said. I started to head towards the door, not able to meet his eye for fear of dismissal, for fear that he might just let me leave.

“Woah, slow down. Come here,” he said, with knit eyebrows and tender concern in his eyes.“Do you want to lay down for a bit? ” he asked. I obeyed. It was the first time I can remember him nurturing me outside of the realm of sex. Like he had finally noticed that he could be close to me not just in the bedroom, and I was powerless to how he tried to take care of me. 

Soon, we moved to the bed upstairs, my back facing him. I started to tell him, softly, about my depression and we were barely touching but suddenly, he was hard. “Shit, I’m sorry,” he said.

“It’s okay.” I’m not even here, I thought.

“But do you want to?” he fumbled through the silence.

“Uhh. Do you want to?” 

“I mean…yeah. But I don’t want you to think I got you to stay and come upstairs, just so we could have sex.” 

“Tell me you want to.” 

“I want to fuck you.” 

So I let him. Pathetically, I loved that he still wanted to be inside me, even when I felt so vacant and couldn’t believe that my hollowed body could give someone else pleasure.

Near the end of my stay in California (and thus, the end of our relationship), we were lying in the room that used to be his sister’s. It was painted the same color as my childhood bedroom—a bright marigold, illuminating the dust that glittered through oak blinds in the late-afternoon sun. The sex we had then was probably the best I’ve ever had. I could sense his dedication to my pleasure and my feelings, tuned in thoughtfully to my reaction each time he struck my face. The harder he hit me, the more pleasurable it was for us both, and I could feel him growing rigid inside me the more aggressive he became. Then, he tarnished the moment by likening me to a porn he’d watched, one that showed only the faces of Japanese girls as they reached orgasm. And then, somehow we started talking about his ex. He had a tendency to really blithely bring up past partners.

“Did you love her?” I asked.

“Oh, well, I mean, I’m kind of still in love with her.”

“Oh.” I fell silent. The pain was indescribable and I turned away from him, worried he could see my flush. “Do you still talk?” I asked.

“Yeah, we text sometimes. She told me she’s seeing someone though, so I actually ended up telling her about you too.” I guess that was supposed to impress me, or something. “But I don’t know, I might try and break them up,” he says.

“I can’t tell if you’re joking.”

He performed this conversation with premeditated relaxation, as if he had prepared this speech and knew its weight, but assumed his words couldn’t penetrate me. I knew we weren’t together together, but I hadn’t expected the chill with which he told me he loved someone else.

“I’m not, really. I think if I tried, I could. I’m not above it.”

“Why do you still love her?” I asked.

“It’s hard to explain. After I left Ireland, I just felt like I abandoned her at a time when she really needed someone. She was really lonely.” I didn’t know if that was a reason to still love someone, but I let his words hang there without rebuttal.

I was sandwiched between two exes; a toy to amuse himself with while he exhausted his most recent relationship of possibility and fantasized about his future with the one that got away. But sandwiched would imply that standing alone, I was still something of substance. I felt more like a filmy spread of butter.

The next time I went over, I told him how much it hurt to hear him say that. He was genuinely alarmed by this—it seems, in retrospect, I was constantly surprising him. He said he only told me because he took me seriously and thought it was something I should know, though admittedly he was getting guilt off his chest as well. When I left for school a few weeks later, this was the memory of our relationship that weighed on me. Because of the coldness (or maybe it was loneliness), with which he said he wanted to break them up. I finally grasped that he never had and never would think of me as a person he loved.

Despite what you tell me, I know I wasn’t anything real or serious to you. Still, in those first few months away from you, I missed you so much. The innocence of my first love, or at least my gleaming and virginal idea of it, was really gone. You made me feel smart and precious, and you were the first one to call me pretty. When I was with you, I started to belong to someone, if that’s even something to aspire to.

As the months pass, I want to call you, so I can ask if you ever considered loving me. The question is an axiom as the blade enters my body in order to feel something, because Ocean Vuong reminds me that the body is a blade that sharpens by cutting.

I want you to see my name flash across your phone and for you to be scared, at least for a moment, about the possibility of our nonexistent child. Because why else would I be calling?

I want to tell you that I stayed at a psychiatric hospital after I tried to die, that my dad has cancer, and about the other world-crumbling realities that make up my life. Because now I’m like them, right? Like the exes that needed you, who you could be there for and save?

In five years, I want to call you to see if you’re married, and if you have kids. Was she it for you? Your ex? Or maybe you found someone else, someone adequately older and age-appropriate.

I did end up calling you, 6 months later. You had recently turned 36. I was still 20, like I was when I left California, and you. I had just watched “Casablanca” and posted a lackluster review on Letterboxd, and you replied with a long-winded comment explaining why Rick and Ilse's love was remarkable because it was for a greater cause. A bit later I got a text from you, “Am I gonna get canceled for mansplaining ‘Casablanca’ to you?” You must’ve been so bored. Capitalizing on your apathetic state, I called you. We ended up talking for nearly three hours, which was to me a testament to the veritable existence of our relationship. But I couldn't ask you the question. I wasn’t able to ask why you couldn’t love me. When I ended the call, you told me that if I was ever in the area, I’d have a place to stay. Then, hesitantly, as I was hanging up, you said it would be really nice to see me.

As “luck” had it, I was going to be in the Bay a month later for my dad’s radiation therapy. And even though you told me then how much you wanted to see me, you didn't reach out the day I told you I was arriving, so I came to the conclusion that you’d somehow since gotten back together with your ex from Ireland. 18 hours and one sex dream/nightmare about the two of you later, I braced myself by pinching the skin on my inner thigh, hard, with my left hand, as I texted you with my right, asking to stay with you since I couldn’t be around my dad while he was radioactive. (Turns out you were only flying back from Philly.) You moved plans around, which I took as a good sign, and all of a sudden, it’s Thursday night and now I’m at your door.

The very first time we met, you kissed me right there in the entryway. I recall you asking me later that day if it was okay that you did that. I said yes, but then told you my favorite part was the suspense before the first kiss. I wonder if you kept that in mind this time around, because we only hug hello. You launch into the updated tour of your house. It’s still as cold as ever, but you got rid of that toaster that sat in the middle of the dining table, and there’s a new folk-art sculpture on the mantle. Then we sit down in your office, you on the couch and me in the armchair. We talk for a long time. About your newly adopted theory of John Lennon being gay for Paul, and my recent visit to the DeYoung and my enamor with its museum lighting and the walls filled with works of Charles Sheeler. I remember noticing how different I was this time, grown up, smarter. At dinner, I don’t fight you to split the bill. I let you pay for everything.

When we get back to the house, you keep saying how tired you are. Is this it, your move? One touch from you and I could disintegrate, so fragile from anticipation. I say, “Okay then, let’s go upstairs.” I bend over to take off my shoes and I feel your eyes lingering. We head up the stairs, then down the hall to your bedroom. But as we approach the doorway, you stop short and say, “So. You can stay in here with me if you want, but obviously you’re not obligated to. Any of the other rooms are open, of course. I wasn’t presuming anything, so whatever you want to do.” 

I look up at you, propped against the doorframe with trying bedroom eyes and hands behind my back. I say, “Okay.” I’m feigning shyness, trying to make you sweat, just a little. Then wordlessly, I head to your bed and you follow me. I take my sweater off and turn away from you and I hear the rustling of you undressing as well. When I turn back to face you, you’re naked. I laugh and comment, “Oh yeah, like that’s not presumptuous of you.” 

The sex is so good, you have to stop yourself from coming a minute in. As we’re lying there afterwards, you ask if I still have my IUD. What a dumb question. As if I’d developed some master plan to get pregnant with your child and ripped the device out of my uterus with my fingers and sheer force. “Yeah, duh,” I answer, “and I got tested before coming here.” 

You say, “Okay, good. And the last time I had sex was the last time you were here, so that’s as good as any test.” This pleases me idiotically, even though it means nothing.

In the shower the next morning, you hold my face with two hands, cupping my chin. Pulling me closer to you until I’m on my tip toes, you look at me and sigh in contentment and then plant a light kiss on my lips. At that moment, I feel whole.

I drive back to the hotel my family is staying at with a bruise and swollen lips. The bruise is from your body on top of mine, bracing your weight on my chest. Even though it was so painful, I found myself unable to say anything because I liked that at any moment my sternum could collapse and your hand would sink into its cavity and touch my beating heart. I coveted you being that close to me. My lips are swollen because you hit me hard while face-fucking me, and my teeth gnashed against the inside of my mouth, leaving tracks and drawing blood. But I cherished the already-memories being marked by something so corporeal. 

I come back later that night. We talk Bowie’s, “Oh! You Pretty Things” and I ask you if it’s cringe to like The Dubliners in Ireland (no, they’re quite cool). Later, I lay in bed next to you, exhausted, and you turn on “The Manchurian Candidate.” You start jerking off and I watch you. Then, when I go to wrap my mouth around you without asking permission first, you strike my face. Not with great force, but with a sudden accuracy that takes me so much by surprise that I’m flinching now. It’s hard to pin down what made this time different from all the other blows that I wanted, but I remember feeling myself beginning to fade. I tried to display the pain I was feeling as pleasure and because of that, I think you thought I was close. A while later, I lie on my stomach with you collapsed on top of me.

“You’re really hot,” I hear you whisper, through muffled hair and sheets, my face down in the pillow. You’re saying more but I can’t hear you, or at least, I don’t place the words to any meaning. Then you ask, “Are you okay? It feels like you’re shaking.” And embarrassingly enough, I realize I’m crying. 

You’re so panicked as you brush my hair aside and ask, “What’s wrong? Did I do something? Did I go too far, did I hurt you?” I’m weeping as I tell you that it’s nothing, and no, no, it’s not you. It could never be you. You counter, “Well, like, you’re crying and shaking really bad and look at how we’re laying here—I might still be inside you, so I feel like it probably has something to do with me.”

“No, really, it’s not about you. Things are a lot right now, and I haven’t been doing very well this past year. I just don’t know how to cope.” I’m chewing my words carefully and slowly, but then you kiss the crook of my shoulder and it’s so nice everything starts spilling out. Maybe it’s your fleshly weight on my back, forcing my words out. Or maybe I just want you to pity me, so you’ll finally decide to love me right then and there.

I tell you about my burden of feeling unlovable, and the crippling prospect of carrying that with me for life. You say you actually feel exactly the same way, that you tend to self-sabotage when it comes to love, and then, something about being able to forgive yourself for it being a sin that you bear, which I thought was a funny thing for you to say. I gather up all my courage from every time I couldn’t ask you. Your hand is on my heart and I hope you can feel how fast it’s beating.

“Can I ask you something sort of insane? And, I want you to answer in the most, uh, unbiased way possible. Because it’s not just about you. I mean it is, but it’s also happened to me before, with that guy from my freshman year, if you remember him. I just want to know how you see things. And I’m not saying that I felt one way or another about you, but… well, so, I feel like during our relationship last year, there was never any sense that we could be real.” I wait. 

“Wait, sorry, I don’t think I know what you’re asking. Was that the question?” you ask, earnestly, but it also feels like you’re a little exasperated already.

“Yeah sorry, that wasn’t very clear. Long story short, I guess I’m asking…” I swallow. “Why wasn’t I someone you thought about loving? Like, why couldn’t I ever be serious to you?”

“Oh. Well, first off, I don’t think that’s true. Obviously, I’m not trying to tell you how you felt about the relationship, but there definitely were times where I could see things going that way. Which surprised me. I grew to care about you and like you so much. I honestly wasn’t expecting that, but we had so much chemistry right away. If anything, I think you never had that door open. It didn’t seem like you were looking for a serious relationship. I mean, don’t you think that’s part of why you initiate relationships with older guys? To close off any possibility of real love?”

I’d never considered my circumstances in reverse, that I liked older men because there was no chance of authentic love. I always thought I enjoyed it because I could rely on the simple, steadfast desire. I’m conflicted taking in your words, I partially think you’re full of it.

“So, then, what stopped you from initiating anything real?” I ask.

You pause for a while and hold your breath, like you always do when you’re thinking carefully. “I don’t want this to hurt you, or to sound patronizing. But it might, because I want to be honest… you’re so young.” The way you said it felt like you believed you were revealing something to me I was unaware of, and you needed to convince me of it. “I know that sounds dumb, but it’s true. You have so much changing to do, and growing.” 

After some pause, “You’re a tremendous person. You know that, right? And you don’t realize it, but you’re not fully formed yet. I’m saying all this as someone who’s a lot older, who’s had a lot of relationship experience.” I’m whimpering without restraint or ego now. Because I can’t control my age. The only thing I can do is cling to your arm as hard as I can, even though there’s no way you could feel farther away. Because right then, I understand it’s really the end of us. 

“Then why be with me at all, if age matters so much to you?” 

“This is going to sound really clichéd, but things were different with you. You really are mature for your age, like a lot more than my students, who are 21 or 22, even 35. Which is why I actually could imagine things going somewhere. Like most of the time, you really don’t seem like you’re 20, but then suddenly, it’ll be really apparent.”

“So do you ever regret—” I start to ask. 

You cut me off by saying, “No, never.” A certain, if not minimal, relief washes over me. 

I continue, “Well, not regret then, but like, cringe, looking back at our relationship? Like, are you ever gonna be able to talk about me with your friends?”

“Yeah, when I said earlier, that I ‘think’ I’ve mentioned you to my friends, I don’t know why I said that. It was a yes. I do say you’re in your twenties—because technically that’s true—but I also talk about how great you were, and how it was really nice what we had. I’m just a private person in general.” A beat. “I don’t know why I’m saying that like everything is in the past. I hope I know you for a long time.”

“Isn’t it though?”

“Fuck, well—” you start, but never finish. I still don’t know what you meant by that. I didn’t understand in what capacity you expected to know me. 

A bit later I ask, “Do you ever find me cold?” It was something I’d been thinking about recently, compounded then by you saying you never felt that I was invested in our relationship.

“No. Absolutely not. I do find you strange sometimes. Like, really strange. But maybe that’s just your Gen Z-ness.” I laugh-cry at that. “You’re not different now either,” you add as an afterthought. “Like, you don’t seem like an emptier person, I just want you to know that.” I don’t think you understood how much that meant to me.

I ask you if you’re still in love with her, your ex from Ireland, because I need to know. You immediately reply, “Yes. But it’s complicated. I won’t go into it any further because I remember what happened last time we talked about her.”

Our conversation eventually ends after almost four hours. When I wake up, you’re holding me, which didn’t happen often, because you always said my body was too warm for you under the covers. You’re cautious as we have sex in the morning, kissing the top of my head gently, even as you’re being rough with my body. I’m so relieved that you still want to enter my broken body, that I can cry again. And as I watch your face in those last moments, it’s exactly like the last time I left you. And even though I was supposed to stay with you another night, I think we both knew I wasn’t going to come back. It was the last time I was ever that close to you.

As I write this article and look at us on paper, I can see how ordinarily nothing we were. Writing about us doesn’t make what happened between us special. Writing about us won’t make you come back and love me, 17 miles away again instead of 944. I go back and forth on how to mark you in my life. Because in your real life, I didn’t exist. Your friends didn’t know the truth, you didn’t show me affection in public. You had me all to yourself, while I shared you with your exes—though admittedly, they possessed a much larger part of you than I did.

I started writing this before that last time we saw each other, when I missed you being near me so bad, and when I was agonizing over why you didn’t love me. Seeing you seven months later, and now learning that age is the reason for all my suffering, I’m unsure of how to process it all. Is it crazy that I respect you for it? As stupid as that sounds, I mentally dole out a certain amount of good-boy awards to you, for not deluding yourself with the idea that a twenty-year-old would ever be able to love someone nearing forty. Even though I could have. On the other hand, I don’t accept that as your answer. It’s not fair. My age never stopped you from telling me how much you liked me and how special I was. It didn’t stop you from taking me on a birthday trip to Crater Lake. It didn’t deter you enough that you refrained from using ageplay in bed. But love and a real relationship, that’s the ceiling of what our age gap permits? 

Maybe I’ll be your last relationship before marriage. You’re resigned to be my first and always. I know I won’t ever recover from you, not completely. You can try and convince yourself you were a good guy who took me seriously, but ultimately, you were never honest with yourself. About how you cared too much about the appearances of us, together in the real world, to admit how much you actually liked me. Or about how you might just love your ex, and my age as a reason for being unable to love me is an excuse. A pretext for leading me on so I could be ‘her’ for you, at least for a little while.

But if the current exquisite pain ever does fade away entirely and I can no longer physically call to mind how you felt and made me feel, I’ll be sad to no longer know anything of you. It’s another way you’ll always have me, in my entrenched hope that you won’t totally slip away. I’ve worked on this piece every day since I left you, my daily indulgence of affliction. I miss you, because I’m terrified of not feeling your impression on me. Though you told me it’s stupid to miss things that aren’t gone yet. I guess that was a way of relating to you, performing as an age where I had gathered real regrets. But you’re gone now, for good. I’ll probably show up in your dreams from time to time, because I hear that means a person is thinking about you. Will you show up in mine?

Momentum

Momentum

 Running home 

Article and art by Alex Wollinka 

A few weeks ago, I went on a run for the first time in over a year. My hair was too short to tie back completely, so I tried to catch most of the loose strands with a hairband and let the rest whip around my face. The feeling was surprisingly familiar– earbuds in, shoes rhythmically hitting against concrete and then gravel as I reached the trail, huffing out foggy breaths into the morning air. It felt like my body knew exactly how to pick up where I left off. As I’ve been getting back into the swing of running every day, I’ve thought more about its place in my life, from Landsharks in third grade to cross-country in highschool to my runs now. A lot has changed, and a lot hasn’t. For me, it's more than just exercise. Running connects me with memories and people and places, it grounds me in my environment and my body. When I run, I remember the ups and downs that I’ve run through before. When I run, it feels like coming home.

Having grown up in the Springs, I take the same trails that my team and I used to run during summer practices or races at Monument Valley Park. The park feels familiar in a comforting way. It’s not like a neighborhood or a school or a house; it’s not a place that I’ll outgrow or one that will outgrow me. Every spot of the landscape has memories woven into it. I remember laughing so hard I gave myself a side stitch, riding the momentum of gravity down the steepest hill, veering off from the rest of the team to chase a butterfly on occasion. One of my teammates would start every run with a stick, and then replace that stick every time he came across a bigger one, until he was barely able to run with what looked like a small tree dragging behind him. I remember my friends cheering my name as I crossed the bridge and broke into a sprint, then dumping paper cups of water on me as I lay in the grass, drenched in sweat, gasping for air, and grinning. 

Nothing felt as exhilarating as crossing the finish line after giving everything I had and more. I felt like my body became pure energy, a shooting star burning up in the atmosphere. And then there was the relief of collapsing on the ground with other runners who had just done the same. I could feel my pulse pounding through my heavy limbs, my heart hammering against my breastbone, my lungs expanding and contracting under my aching ribs. Those were moments I had to work for. With the earth underneath me and the whole sky stretching above me, my mind and body were one.

Running has bad memories that come with it, too. I remember being passed on either side as my coach yelled at me to give more, and the feeling of helplessness when I physically couldn't. I remember throwing up after a race in a porta potty-- which was hot as an oven, sickeningly humid, and had a mix of overpowering stenches that somehow didn’t cancel each other out. I remember dreading practice on days where I was sick or exhausted, and the anxiety leading up to a big race. But even though it wasn’t always pleasant, I find that I'm nostalgic for both sides of running– good and bad. I learned I could push through when I didn’t want to and give a little more than I had to. I learned being in the hot sun all day makes shit smell even worse than it usually does. I learned to compete against myself, even when other people were ahead or behind. 

I stopped going on runs in the autumn of 2020, when the combination of cold weather and general burnout made it too much of a hassle. I felt overwhelmed by tasks as simple as answering texts or folding laundry, and I didn’t have the energy to do much beyond the bare minimum. Since every class was on zoom and all my interactions were online, there wasn’t really a physical space where I belonged, nothing that made me feel real and solid, and running was the one thing that grounded me most. I had been so used to the movements and the sensations– the burn of my lungs and muscles, the swing of my shoulders, the movement of each leg pushing me forward. After I quit running, even just on occasion, it felt as though my body was a different thing entirely, a carbon copy of the one that used to be mine. It was like walking into a perfect replica of my house knowing, somehow, that it wasn’t the one I grew up in. There were times that I couldn’t tell if I took comfort in the feeling or if I wanted it to stop. Once the world thawed out again, I couldn't get myself back out on the trail. At first, in the spring, running was clearly off the table. I wasn't getting much sleep and being out in public was draining on its own, so just going for walks a few times a week felt like an achievement. In the summer, I went on walks or hikes most days, but I told myself it was too hot for running and I was too unmotivated to get up early. Then came fall, which merged into winter. I wanted to run, and I felt bad about being too lazy to try, but something made it feel too daunting. It wasn’t until I started running again that I realized what was holding me back.

My first post-pandemic run was probably one of the most freeing ones I'd ever been on. I’m not anywhere near as fast as I was in highschool, and I certainly can't run for as long. But nevertheless, my body kept the rhythms and memories. I looped around the trails at a casual pace for about half an hour, listening to songs that hit with the right mix of dopamine and adrenaline to make me feel invincible. The park never felt like a space where I did or didn’t belong; it just existed, and I could exist inside it. There’s no role to fill or step away from. When I’m running by the river, I’m not a student, a daughter, an employee, or even an athlete; I’m just there, passing by. And for a little while, when the water is rushing alongside me, I feel like the momentum alone is enough to exist for. 

After the pandemic, I started to put more focus into reframing my mindset and taking my mental health seriously. Running is a big part of taking care of myself that I feel like I’m reclaiming more intentionally than I ever did before. Most days, if the weather is tolerable, I try to at least put my running shoes on and jog around the park at some point, even if only for twenty minutes. Sometimes I veer off for a second to chase a butterfly, or see a stick that looks like it's begging to be picked up in the middle of the trail. Sometimes I watch a group of much faster, more serious runners pass me by, and I remember my old running team and the devotion I put towards improving every day. Nostalgia rises up to the surface at random, almost taking me by surprise. I may not ever be as fast as I was, or run as long as I used to. I may never get the feeling of sweat-drenched lung-burning victory from running ever again. But as much as I miss it, I think it's okay if running isn’t exactly the way it used to be. I feel the momentum, the breath in my lungs, the cold air on my face and the soreness in my legs, and I know that those pieces of me are still there. 

A River Runs Through Me

 A River Runs Through Me

 I met him at fourteen. I’ve been grasping at a ghost ever since.

Article and art by Jane Harris

Content Warning: Substance abuse

It’s coming back in waves. Our Stand by Me narrator, an author remembering the death of his childhood best friend, seems caught between two worlds as he stares at his computer screen. The hazy, rose-tinted nostalgia of childhood fights to hold him back, to prevent him from what he already knows will happen: the innocence lost upon realizing the dead body his friends went to see in the woods is real, the hindsight that his best friend, played by River Phoenix, will soon be gone himself. The author takes a thoughtful, solemn pause before typing, “Although I haven’t seen him in ten years, I know I’ll miss him forever.”

 

Stand By Me, 1986, playing on my mom’s laptop that I’d stolen for a late-night movie, cuddled up in my dad’s childhood bed at my grandparents’ home. That was the first time I saw him. The setting, in retrospect, was perfectly primed for nostalgia. The night, hot (in the way only a West Virginia summer can be), the screams of the cicadas, deafening (the only sound that could be heard for miles), the hour late (well past midnight). I was fourteen when I watched my first film with River Phoenix in it. I fell in love in a way I’ve never fallen in love in my entire life; I fell in love with the depth of emotion I saw flickering across the LED screen. I was entranced, left staring at my own reflection in the dark when the credits had finished rolling, too stunned to close the computer. I didn’t sleep a wink.

         He’s dead, he died years before I was born. I found this out during my post-movie-watching trip to Wikipedia, absolutely desperate to learn about this actor I just ‘discovered’ by myself as my eyes struggled to adjust to the computer’s change from soft black to bright, LED-white light. I had to look him up. I was enthralled with his character in the movie I’d just watched— I saw myself in Chris Chambers, a loyal friend, unafraid to be vulnerable, not concerned with being ‘weird.’ I thought, at that moment, I could do to be more like him. When I first saw Stand by Me, I had just graduated the eighth grade, and had realized how much of the last month of middle school I’d spent trying to fit in with everybody else. I wore a Lilly Pulitzer dress to my Catholic school’s graduation mass, eager to please my mom by wearing something nice, desperate to fit in with the other, far more popular girls. It was pretty, but I was uncomfortable in the way softer fabric couldn’t change. I only wore it once. The entire summer after, I lived in Nike shorts and graphic t-shirts from Hot Topic.  High school was looming in the future, only a short couple weeks after my annual trip to my grandparents’, and I felt threatened, terrified. High school would start in no time at all, and I would be entering into a new social world with no friends from middle school to hold my hand, no one to help me navigate the sheer size of the new building nor the pyramidic new social scene, one that seemed cemented in stone. Already, I had been warned by mothers of family friends to “stay away” from certain girls.  I had no idea who I was, and the only thing that seemed to bring me actual solace was escapism. In the months following my introduction to River’s work, I thought of him often. I looked lovingly at his face, a million pictures of it printed out and collaged to adorn the cover of my binder for my freshman US History class. Upon learning who he was, one of my high school friends said, “Oh my god, you have to talk to my mom. She was obsessed with River Phoenix when she was younger.”

Lots of people are obsessed with him, I am not unique in the attention I’ve paid to the humble heartthrob. Leonardo DiCaprio has spoken, in interviews recent and older, about River being his “hero.” There’s a video of Leo at seventeen or eighteen, in his dressing room on the set of “Growing Pains,” where he has his hands above his head and bashfully says, “I think I look like a young River Phoenix.” Prior to meeting him, Brendan Fraser thought River would have “a lot of hostility.” Fraser, like many others who saw the image of River’s kindness and couldn’t decide if it was an act or as his genuine self, wanted River to be “standoffish and cold.” In reality, he was “really gentle and sweet.” The façade of River, then, is no facade. He is the kind, giving, and conscious soul reflected in the characters he plays. Desperately, I wanted to be like this. I was enamored, like many, by River’s compassion and how it seemed to pour out of him. At sixteen, when I read what Stand by Me co-star Wil Wheaton had to say about him— “He was this raw, emotional, open wound all the time. He felt everything.”—I saw myself. I see myself at around twelve, unable to stop sobbing and apologizing incessantly after I said “fuck you” to my younger sister for the first time (she didn’t deserve my anger nor did she seem to care, she was young and unbothered). I see myself at sixteen, happy to the point of tears after my little cousin handpicked a dead beetle from my backyard to give to me, saying “it reminded me of you,” thinking to myself that it was the best gift anyone had ever given me. I see myself, now at twenty-two, when I think, selfishly, how sometimes the love I sow for others I don’t get to reap back for myself. Sometimes, in desperation and loneliness, I wish I could take back all the kind, genuine words I’ve given, the song links I’ve shared, the letters I’ve written to those who hurt me, to instead reclaim that love for myself. I don’t, though. River would never do that. 

Martha Plimpton, River’s one-time real-life lover, looks at his Running on Empty character earnestly, tears in her eyes and a lump in her throat as she chokes the words out. “Why do you have to carry the burden of someone else’s life?”

As I learned more about River, spending hours in internet rabbit-holes and reading the few physical books written about him, the more I wanted to be like him. I was—still am—a very emotional being, empathic to the dangerous point where I martyr myself on behalf of someone who does not need me, nor asked me to do so. When I was younger, my emotionality seemed like a burden or a curse, something that caused me more turmoil than necessary. I wanted it to be different, I wanted to be like River, whose emotions and feelings seemed revered and celebrated by others who wished they could see the world through his eyes. I, too, wished I could see the world through his eyes. It’s almost comical, now eight years down the line, how I would go on to make River Phoenix an integral part of my personality, inextricably linked to myself in the same way my front left tooth has always had a chip, how my nails are always short, how the one front piece of my hair can never hold a curl. In retrospect, it’s both hilarious and endearing that little me saw an adoption of River Phoenix’s ‘personality’ as the way to come to understand myself and make sense of my ache. It cannot be taken too seriously; if I don’t giggle about ‘this River thing’ silently to myself every once in a while, it all becomes slightly embarrassing. I melded what I viewed his character to be with my own perceived lack. ‘Obsession’ is not the word for the attachment I created between myself and my image of him, I rather ‘assumed’ the traits that I thought River would be proud to see in me. Or, rather, that I would be proud to finally see in myself. I realize that only part of my ‘relationship’ with River Phoenix was like the classic, crazed young girl obsession with an attractive actor. One time, jokingly but sweetly, my sister sent me roses with his name attached. My friends and I engaged in our fair share of lamenting how we were “born in the wrong generation,” as if being born a decade earlier would’ve given us a ‘chance,’ of sorts, with the older celebrities we so loved. I do realize that, had I been alive when he had, things would be different. I think I only attached myself to him because he was dead, because he could provide me a blank slate. He could be, and was, whatever I wanted him to be. And in turn, I could turn into him.

I had no idea who I was. To some degree (one I’ve since made peace with at twenty-two) I still don’t. I was young, anxious, sad in a way I did not yet know how to describe, what words to use to express its depth. In a confusing way, I was angry at how much I seemed to feel everything too strongly. Boys who I thought were my friends in grade school made mean comments to me, ones I brushed away under the pretense that ‘boys are mean because they like you.’ Later, of course, when a certain string of words would sound off a twang in my heart, a drop in my chest, I would remember how much those comments hurt. There were feelings I had at that age that floated around in my body, aimless, with no place to rest. River– or the image of River I created– provided a channel for me to direct those feelings towards, helping me engage in some sort of therapeutic process years before I’d put myself through actual therapy. He became a version of home. Through this version of him which I created, I became more conscious of the way my body and mind moved through the world. He was humble, kind. Therefore, I tried to be humble and kind, talking less of myself and asking more questions of others, sitting next to someone new at lunch on occasion. Most importantly, though, River was a wonderfully loyal friend, a quality I attempted to replicate at fourteen that I’d later curse at seventeen when the closest friend I had been so loyal and giving to quickly ceased to become a friend at all. However, the qualities I saw myself as stealing from River, characteristics that soon became inseparable from my own image of myself, existed before he got to me. He did both nothing and everything at the same time. I always had the potential to be loving, compassionate, in control of my empathy, but I didn’t see it in myself until I saw it in him. Watching My Own Private Idaho, especially, I still feel as if he is looking directly at me, but he can’t quite make out my shape though I can see him clearly. It’s a two-way mirror.

Mike Waters, the narcoleptic street hustler and hopeless romantic River Phoenix plays in My Own Private Idaho, nurses his heartache as he rocks back and forth on his chair, spinning a large yellow flower between his fingers. He turns his head, looks up, and immediately locks eyes with his former best friend, Scott Favors (a.k.a. Keanu Reeves) from across the cemetery. With one twist of the neck and one shrug of the shoulder Mike decides, while holding Scott in his gaze, to mourn him, but to move on. With that, Mike throws his head back and screams.

While River is so important to me, he’s not real. I’ve resigned myself to a constant mourning process and simultaneous constant celebration of the life of someone I never knew, someone I will never know. The River I whispered to about my day before going to bed at sixteen is not the River that his family members are missing every day, nor the one his friends and once-upon-a-time co-workers speak fondly of in interviews. He’s not the River that causes Keanu Reeves to choke up and go silent when he is brought up in interviews. Nor is he the River his brother, Joaquin Phoenix, speaks of feeling “indebted to” when asked how and why he got into acting. Granted, my River is still based upon those public, collective memories. He has the same shy, sly smile in my head as he does in the pictures of his tour of Japan in 1991, blushing at the camera, hair falling in front of his eyes. He doesn’t necessarily want the attention, but he’s thrilled people resonate with his work. He just didn’t want praise for what he did. You can watch him, in interviews from the late 1980s, squirm in his seat, pulling his hands up to cover his face when his acting skill is commended. He also didn’t want to win the Oscar for Best Supporting Actor in 1989, answering the question,

“You’re glad you didn’t win?” with a genuine, honest,

“Yeah.”

It’s not that he was insecure in his acting ability, it’s more that it didn’t matter so much to him whether he would win or lose, nor did it matter if anyone saw his work. It only mattered to him that he was doing what he loved. This quality, assigned to him by others, is one I envied greatly at fourteen. I wanted, desperately, to not care what others thought of me, to be assured and fulfilled in my own hobbies and interests. I was looking to be cool and River seemed, to me, to be interesting in an effortless way. He was genuine, unafraid. I was nervous, self-conscious, and scared to cross the threshold into the ‘adulthood’ that high school seemed to lead me towards. But the fact that River was unapologetic towards his passions meant I could be too. I tried, desperately, to reach towards the things that genuinely excited me, turning to the classically ‘weird kid’ alternative arts, hobbies, and interests. The month before my freshman year, when my summer P.E. running buddy found out I’d been listening to screamo and metal music in my headphones the entire two weeks, she dropped a nearly silent, “Oh.” The day after, I heard her murmur to another girl, “Isn’t that so weird?” I wish I could say that was the last time I let something like that bother me, but I’ve had my fair share of anxious, pit-in-my-stomach sleepless nights. When that feeling struck, for a period in my life as reliable as the sun rising and setting, I had a quick fix. When I didn’t know how to make peace with my loneliness, I’d make friends with a new River Phoenix character.

 

There’s something that he really wants to say, but the words won’t come out easily. Pained, stuttering, and tearing up, Joaquin Phoenix’s voice trembles as he pushes out the final acknowledgment of his 2020 Academy Awards acceptance speech. The pain never gets better, just easier to swallow. “When he was seventeen, my brother wrote this lyric. He said: Run to the rescue with love, and peace will follow. Thank you,” Joaquin says, backing away from the mic quickly. The audience roars.

I understand that my characterizations of River, though an amalgamation of things I’ve read of him, of what I’ve heard people say of him, aren’t exactly true. In speculation there’s a certain line, one I’m afraid I might’ve crossed in my attempts to re-make River Phoenix how I saw fit. After all, the very thing that drew me into him was the fact that he’s dead. River’s death is clouded in mystery, ripe for baseless rumor about whether or not his overdose was intentional or not. Crafting a persona has its pitfalls, of course, and I’ve spent moments, struck by guilt, staring at my hands, trying to figure out if I’ve done something wrong, if this alignment I feel with River is causing me to lose myself. Where do the lines between me and River start to blur? When do they disappear completely? Would the real-life, living, breathing River have supported this? Most likely not. Of course, for me to ask too many questions of him, to look at a still image, hoping his eyes will wink back at me, is to do his life and his memory a disservice. This person’s pictures adorned my teenage bedroom, the one of him in the suit at the 1989 Oscars on my nightstand, printed on top of a blank polaroid as to suggest historical accuracy, to give the illusion I could’ve been there with him. Another image of him– a painting I made in art class– is taped into the corner of my mirror, his face illuminated in different shades of red (my favorite color), x’s through his eyes. I look at myself and I see his ghost reflected back onto me.

It is surreal now, that I am merely a year away from being the age River was when he died. This realization recently had me tearing up at the dining room table but has also helped clear some of the mystical fog that surrounds him in the memory I’ve constructed of him. He is not the far-wiser, more accomplished, grown-up figure I imagined him to be at fourteen, but rather damned to remain eternally twenty-three. He was young, he was so young. Most likely, he was just as lost and confused in the world as I am. He probably ached for guidance, a hand on the shoulder, in the same way I still do. However, I’ll never be able to return the favor the memory of him has given me. He’ll never be able to use me as a personal compass in the way I’ve used him. Desperately, I want to thank him, though I know I cannot. I sustain myself, instead, via a mental list of our degrees of separation. The director of My Own Private Idaho, and River’s dear friend, Gus Van Sant was born in Louisville, Kentucky, my hometown. Sandra Bullock, River’s co-star in The Thing Called Love, has a sister who is married to a close friend of my dad’s from college. The date of his death is my long-time favorite holiday, Halloween, and his family lived for most of his life not far from my grandparents’ home in Florida. These connections– these links I’ve imagined in my brain with red thread, push-pins, and all–are attempts at rationalization more than anything else. Maybe they could be seen as a way for me to really connect with him, to exist in and love the cities his loved ones did, to touch him through the people I’ve hugged and the people they’ve hugged. I reach out to touch him, and I get nothing. I’m grasping at a ghost. I miss him.

When I say I miss him, I’m really missing myself. Paging through images of him, looking for ones I’ve yet to save to my phone. I am searching to see, just once more, the younger me in his eyes, his nose crinkling, his arm around someone’s shoulder. As most people do with their younger selves, I wish I could hug her. I wish I could tell her that she is doing a truly wonderful job of managing what she is. It gets harder, but in ways it also gets better. She has yet to have the phone call at nineteen that leaves her reeling, sinking into the knowledge that her life, too, has now intimately been touched by addiction and death in the way River and his family’s lives were touched by it. It’ll become very real very suddenly, but she doesn’t know that. The phoenix, conceptually, will also become a big part of my life philosophy. Despite everything that seeks to sear me, to tear me completely apart, I will always come back, reinventing myself in the process. From the ashes, I rise, with the scars to prove it. I want to brace my younger self for this moment. I want to put my hands on her shoulders and steady her. But she doesn’t need me looking back on her from the future, unable to change anything. She has me if she has River.

All the love I have put into this honoring of River Phoenix since I was fourteen, a delicate care taken to learn every detail and memorize every quote, has merely been love and care for myself, a balm for my growing pains. To a younger me, River was a friend, confidant, at younger times an older sibling, at other times an obsessive crush. At twenty-two, the thoughts of him are less frequent since I don’t need him to help me in the way he used to. My love for him remains the same, though. It’s intense, an all-encompassing warmth and buzz that fills up my stomach, chest, and head and comes spilling out of my eyes and hands, my body unable to contain such a sensation. Unable too, until now, to call it self-love. Writing this now, I twirl my necklace, a coin with two phoenixes sitting together on it, between my fingers. It’s been a journey on a long, never-ending, My Own Private Idaho road, a road that goes all the way around the world, to get to the point where I have realized I might just love myself after everything. River has nothing and everything to do with it.

Out of Reach

Out of Reach

Losing a Part of Me

Article by  Julia Nichols, art by Patil Khakhamian

March 5

I think this will be good. or be very bad. Either way it will be on paper. The words won’t have to nest themselves in my mind anymore. Maybe this will free up space!

oh dear

okay 

I don’t know how I would like to do this. Do I tell you about my day? I would much rather talk about us. But I don’t know what to say. 

We didn’t see a lot of each other today. I feel really conflicted right now and I’m sorry. I want to be selfish but I don’t know what that means. Is selfish making you hurt like I did? Is it moving on and shutting you out? Is it keeping you when I should let you go? 

I thought that it would be okay after Friday when we hung out. For a moment it felt the same. But one moment can’t be worth it. Can it? 

My day was fine. How was yours? 

Write back soon.

someday? 

If you ever read any of these. 

Love,

Julia

 

March 6

Today was kind of awful. You really hurt me yesterday and I don’t even know why because I feel somewhat over it like it was petty and small and stupid and you explained what you meant but I’m still feeling really hurt. I think that it was just the tipping point for me. Or maybe it was the trigger for something I have been holding back for a long time.

I’m sorry I avoided you today. I was mad.

Some things that I wanted to tell you but didn’t:

I wish that day I would have said no. I wish I asked to stay what we were. 

Love,

Julia

 

March 7

You’re the type of person to give someone space. Maybe you think I want space. But I don’t. I want you to fix it. But you don’t know how and I’m not willing to tell you. Or let you.

You still feel like home to me. This feeling is probably why I have to stay away. It’s probably what I’m supposed to get rid of.

I don’t want to end on such a dramatic note so I will say that I really miss you. I hope you aren’t angry with me. I don’t want to be the friends that say “we used to be really close but then this happened.” I want to come back eventually. 

Love,

Julia

 

March 8

Today we talked. And it felt okay. 

Love,

Julia

 

March 10

Fuck you.

I’m sorry.

Love,

Julia

 

March 17

I feel like we’re each other’s experiments. We’ve tested each other to our limits and we’re coming out okay. I’m proud of that. 

Love,

Julia

 

May 16

On Sunday I finally told you how I felt. I finally released all of my emotions onto you and asked the questions I never thought I would. And I made you cry. And it made me feel good and bad at the same time. Because I knew I had hurt you or moved you enough to cry like I had done so many times in the past. I felt like you finally understood.

Love,

Julia

 

June 20

I thought about you a lot lately. And by lately I mean this afternoon/evening. I’m thinking a lot about you and listening to my epilogue playlist. Just the songs that don’t make me too sad though.

I miss you.

Those may not be the right words…I miss the old us.

I just wanted to say I miss you.

see you tomorrow

Love,

Julia

 

July 20

I just took a couple hits. I didn’t even mean to or want to it just seemed like an impulse.

I’m too much of a little fucking bitch to be a mentally healthy person and I’m just watching myself be fucking stupid and then thinking that doing something even more fucking stupid will somehow magically make me wise and healthy and fucking whatever.

I should probably talk no typrwejgiorwafjkewa

whatever you get what I mean

fuck

okay I should go I need to clear my head.

Love,

Julia

 

 

 

 

September 18

I am missing someone right now

and though we all feel it differently

I think everyone is missing someone right now.

 

I miss [him]. He was my one-sided love and best friend forever and shoulder to cry on and crush from afar. And he messed up. And I messed up. And I miss him.

 

What does it truly mean to miss someone? What does it mean to say I miss you? I miss us? I miss that, then, there?

I think that it is us saying that we have put part of ourselves into what we miss. We feel as though a part of us is gone because we have put part of our hearts or identity into whatever we miss. We have embedded a part of our minds into the missed object and now that it has become part of our memory, anything relevant to it includes the missed object. And new experiences without the missed object feel incomplete. 

 

But there has to be something else to the feeling of missing something. Because if everything that someone misses can be reached, why would anyone miss anything at all? There has to be an aspect of longing for something that cannot be reached. The feeling that there is a hole, an opening that has not been filled, or a chapter that has not been finished but cannot be finished because the ending is out of reach. It is someone that will not come back. It is something that cannot be returned.

 

I think it must also include a wanting for something more. Completing a book series is not the same thing as missing the books. It’s a sense of being unfinished, of wanting more but not being able to have it. And this sense of wanting more is triggered by experiences and memories that the mind has tailored around this missed thing. It is going to the place that you and the love of your life always talked about but drifted apart before you could. It is the conversation you need to have to move on but can’t because the person won’t talk to you. It is the feeling of closure that is being taken away before you’re ready to let go.

I think that is what it means to miss someone.

at least that’s what it means to me.

 

October 14

I just reread our texts and I feel like I’ve lost a soulmate

 

November 18

It’s sad girl hours right now

And it’s because I’m watching Her

And I watched it with you

The day we talked

The first time we talked

And I’m sad because today I was thinking

About prom and slow dancing with you and then I realized

I never thought about whether I was moving

Or where I should step next

Or what direction to go

Or what foot to lean on or if I was moving at all or just standing and talking to you

And that made me sad because I realized how natural we were. I was just with you and I didn’t have to think about anything else.

 

December 1

Hello happiness.

Hello joy.

It’s been a while since I felt you.

Tonight I am euphoric.

 

December 15

Was it all worth it?

Yes.

In every language, in every word, in every interpretation, in every action, in every thought, in every moment, in every feeling possible, and in every degree

 

December 14 (of the next year)

I look at you and I see myself.

I see the stars. 

I see my pain, my history, my smile, my laugh, my future. my best friend.

 

May 4

I think when I cried that night you said goodbye I wasn’t crying because you were leaving. It was because a part of me knew that you would drift away. I knew our conversations would change. We wouldn’t update each other on all the stupid little things that shaped our relationship into something special. And now I feel alone and conflicted because I want what’s best for you. But I always hoped that you would come back to me. 

 

You made me feel like I meant something to another person. 

 

June 1

You called. You came over. we laughed. And it felt like we were still there. The laughter and happiness traveled between us and tied us together.

 

Today

Thank you.

Love,Julia

 Letters 

 Letters 

How I was misunderstood

Article by Esa George, art by Leyla Kramarsky

To the girls,

It was always the seven of us. We were inseparable, comfortably cliqued off from the rest of our peers, classmates, and childhood friends. We knew that what we had was more special, much more consuming than any other dynamic within our proximity. You, A, lounging comfortably in your pool house atop the queen-size bed you rarely ever shared. You, just twenty feet from the house your parents were sleeping in, a beer in one hand, the TV remote in the other. You used to ask us if we thought our classmates were thinking about us, envious of what we had. I hadn’t given it much thought until I was out. At the time, I felt like my life’s trajectory would always be in sync with you six. I thought about how I would have nine bridesmaids, you all lined up beside my three sisters. The matching bridesmaids' dresses we jokingly strutted in inside the Nordstrom’s wedding aisle, just after dumplings and boba. I imagine the gowns adorning your figures as I prepare to declare my “I Do’s.” Would I be breaking some kind of bridesmaids record? Despite the betrayals and our blissful ignorance toward one another’s wants and needs, I miss you all because I am still longing for your validation.

I want to bump into you every time I’m home. I want to mend how I let myself be misunderstood and prove that I’ve recovered from losing you. I find myself subconsciously looking for your faces as I ride my bike along the Manhattan Beach Strand. I catch my own eyes in the windows of our old favorite restaurants, scanning for a glance that would never be reciprocated. I want you to catch a glimpse of how my spirit has been lifted in my separation from you. I want you to know that crossing paths with you wouldn’t bring me anxiety, but closure. I look for you in so many places because we stained almost every room we anchored ourselves to.

We exist in Snapchat “three years ago today’s,” an inactive shared Instagram account, and my iCloud's constant nagging to delete “large attachments” for my deteriorating storage space, that I just can’t allow myself to let disappear. We exist in the embarrassed glance I exchange with my tenth-grade English teacher as I fill my basket at our local CVS—it happens way too fucking often. We exist in the shame I feel when my mom starts to question whether or not I am lying about something again, even the small things. I hate that I was dishonest for so long. We exist in the hesitancy I have towards smoking again. It’s hesitancy to enter that hazy state where my mind spirals and returns back to you. We spent so much of our time together in that hazy state. I hate that I was made to feel like hiding so much of myself, leaving me misunderstood so often, but what was at the root was that I was doing things that were not true to me. I wouldn’t have excused all of the betrayals so easily if that weren’t the case.

I live through it on my phone. I watch your sake bomb videos, your rave montages, and your mardi gras outfit pictures at Tulane. I live vicariously. That little spark of interest and concern for you that no pail of water would ever be capable of putting out. I read your public birthday dedications to each other, the typical “I love all of the memories we have together” striking my Achilles heel. I was a part of so many of them, only now, I can't participate in the “and I can't wait to make many more with you in the future.” That is why I miss you… our story is stagnant, but yours has so much potential for a future.

I hope you know I was sincere, and I stayed because I thought there were things we would uncover about each other over time that weren’t present from the beginning. I never faked it with any of you. I naively believed that our gradual road toward vulnerability would unpack a mutual codependence, some makeshift pot of gold that so few friendships ever reach. I don’t speak down on you to just anyone. In fact, I feel misunderstood by those who I’m getting to know who didn’t know me when I was with you guys. We crammed so many long-term, lingering wounds into the years that we shared. Nicknamed the “shit-starter” of our friend group, if there is one thing I want you all to know is that I stirred the pot so frequently for our own sake. I wanted to be confrontational at every single minor inconvenience to make it last. It didn’t outlive my efforts, and we were all unfair to myself for pretending that was the root of the problem.

I think about you guys, now, through the bleak shivers that travel down my body when I get a feeling that I am unwelcome, not wanted somewhere. How on Earth could our group of seven now make me dread making connections in a new place, even with the freedom of new beginnings encouraged at every corner? We weren’t good people when we were with each other, but we made each other feel good, and that was the most important emotion, the driving force of our inseparability. You were there for what felt like the most fundamental years of my growth. In the conviction of your bored despondence towards loved ones and people who looked out for us, you convinced me that I didn’t like my mom. We villainized the most loving people in each other’s lives because they were concerned about us, and about how fast we were changing. Our collective gloomy, downcast attitude spoiled what should’ve mattered. Bailing on family commitments was one rotten repeat offense. Following an after-school “smoke sesh” in the Prius of some senior one of us was hooking up with, I showed up high out of my mind to my younger brother’s talent show, laughing the whole time at the twelve-year-olds’ performances. I bet I looked like a monster, or was it the marijuana that was clouding my judgment? I changed the way I dressed. I lost a part of my self-expression. My third-grade teacher, standing across from a completely different girl six years later, looked me up and down in front of her students to tell me I was going to be dress-coded. I flipped her off to show off to you guys. I wanted you guys to think I was a badass. Was it validation? Partially. It was because I wanted to be in. I wanted you to think that I was a friend you never wanted to lose, and, well, most of you lost me. It baffles me how I could only uphold a five-minute conversation with just three of you now, even after all of the late nights, the breaks in the bathroom, the “my stomach is killing me, coach,” ditching P.E. to get high and experience our momentary escapes from what we branded to be such a “dreadful” reality.

When my phone buzzes every so often, I glance, my favorite picture of you, the one of you dressed in suspenders and your very “scholarly” glasses from Preps vs. Jocks homecoming day flashes back at me. “Brooke: FaceTime Call.” I answer it, always. I get the usual update on your life at Tufts. Our friendship has somehow made it out of the ruins of the ticking time bomb that our friend group had deteriorated from. You assure me that you will be able to have all the visitors you can on the Vineyard this summer, our unspoken little exchange for all the days you stayed with me back home in LA. But that thing that you can’t quite help mentioning (and I can’t help hoping you mention) always comes up. “Guess what the girls are up to?” Out of all the girls in the world, it’s funny how we need no clarification when the words “the girls” are spoken; I know exactly who. I think there will always be some invisible string keeping us linked in even the thinnest of threads. Our tapestries will forever overlap, the threading unbearable, yet infinitely interwoven. 

Second Letter: to me

What I’d wished I’d known right when it ended

What do you do when you lose inseparability? It feels like you’ve lost a life; you’re embarrassed for how much weight the people you lost once held in determining your happiness–they don’t seem phased by it like you are. Perhaps it’s one of the few inconveniences that comes with allowing yourself to feel things so much harder than the people around seem to be doing. But you also recognize that you may have come across that way just the same; there was a constant discrepancy that you refused to let blindsight all of you until it was too late.

Maybe it was in the way you never touched. Half of them hated hugs; “I hugged you yesterday” spoken to a dejected frown when your gesturing for a hug is not reciprocated. That speaks volumes about how you rarely met each other’s wants and needs, but you should realize soon that you never communicated what you needed either. You just felt confident and welcome atop the throne-like wooden deck claimed by the junior class. The voice in the back of your head when you want to give physical affection tells you they don’t want that touch. You are a person shaped by experiences; you’ll forever have difficulties believing someone who tells you that they are there for you. You will struggle to open up in the future, speak up when bothered since your “pity party” has been mocked far too frequently. On the bright side, you won’t need to worry about being intoxicated to feel like the people around you want you there for much longer. 

You’re gonna get this really shitty feeling every so often, when you’re in a place that you have a specific memory of the seven of you associated with that place. You’re gonna blame yourself for ever letting them into those spaces, for you miscalculated how long they would stick around in your life. You’re gonna wish that you never allowed people to convince you that they deserved a spot in those places and those memories, for what was once sacred and made you smile, is hindered by those open wounds.

You who is now writing about blaming the people who you just miss. You miss them so much.

Life in the panopticon

Life in the panopticon

Losing myself to the aesthetic gaze

Article by Margalit Goldberg, art by Alex Wollinka

I’d love to frame a sober kiss taken from one of the rare moments I can think back on where I opened my body up to another without wanting to pull my heart out, throw it against the wall, and then zip tie it back into my chest. The act of intimacy is rarely embarrassing, but the moments I think about what I did or how I looked during them gives me a reaction so visceral I feel bile rising up my esophagus. Wincing at myself as if my existence is so humiliating others will get second-hand cringe. 

 I’m never worried that the person I’m with is judging me; I’m seeing myself through a third person’s eyes. And those eyes are conditioned to pinpoint the smallest flaws, the blemishes that are the definition of being human. They shed a layer of shame on every memory. Cobwebs, lint, hair, and dead skin cells contaminate the past and gather and grow because I’m not one to dust a shelf. 

Although I can now reflect on how I’ve learned to view myself,  I’m three layers too twisted in my mind, the knots of neurons so tangled that I can’t escape these thoughts. Sleep is the only escape I have from the unstoppable retribution imposed on me by this third-person perspective.

This self-awareness has expanded to every nook and cranny of my life. So much so that I habitually feel embarrassed when crossing the street alone. The vehement cognizance of the space I take up, the possibility I’m doing it wrong, and being in the way of people trying to get somewhere. It’s plausible to assume that everyone is focused on what they are doing themselves, but I still feel eyes on my body. I know that I’m a pedestrian and have the right of way, but I do not grant myself that level of importance. 

I was taught that being alone means being more vulnerable to the violence of men. I’m constantly replaying in my mind all the ways I’ve been told how I could be harmed. Maybe I’m so focused on people-pleasing as some sort of twisted fear response, latching onto the idea that if men like the way I look and act, they won’t hurt me. I’m always letting a soft smile escape through clenched teeth as a preventative measure for my own demise. 

I wish I could return to the time before female adolescence made me acutely aware of how others perceive me. Before the male conscience moved into my mind and began whispering into my ear. A lifetime supply of self-deprecating thoughts I wish my liver could filter out like vodka and cigarettes. 

Take me back to the time before I had the sharp realization in sixth grade that if I wanted to be respected by my peers, I needed to change. My subjective self-view was formed. A view that universally becomes so important in every tween girl's life that they can no longer look at themselves for who they really are. Forever moving forward, there will be other people whose opinions matter more than genuine selfhood.

  In middle and early high school, I dressed myself in black leggings, converse, and crop tops despite feeling grossly uncomfortable. I did this in the hopes of male attention and female validation. I’ve since traded in those staples for Carhartts, long sleeves, and thrifted T-shirts worn “ironically.” Yet, even as my style has evolved, I can’t help but know it’s still for others. I think about myself in relation to others more than in relation to myself. 

The first time a boy broke up with me, I cried. Not because I’d miss him, but because I was afraid of what people would think of our short-lived relationship ending. I gave myself no space to reflect on what I had just experienced and only worried about the perception of others. How much of who I’ve become has been for others?

The determination I had as a 10-year-old to refuse to brush my hair and adhere to any dinner table manners has atrophied into shame and exhaustion from constant performance on behalf of others. What I’d give to be the multifaceted, sharp-cornered, quick-witted, bumbling child I once was. I felt no pressure to make my appearance or personality coherent. There was no aestheticization of my lifestyle sustained on social media platforms. What began as friend group photoshoots in front of my middle school’s brick walls evolved into pursuits for more individualistic photos where I sought to curate an overly-perfect representation of my life. Now we are in the midst of a call to make Instagram casual again so we can show how “naturally and effortlessly” beautiful we are. It is still a curation of an unattainable aesthetic, but maybe even more malicious because I’m lying to myself about how much effort it takes, denying the cost of my own performance. 

I recently realized that I don’t actually want to go into STEM. I was just told enough times that there should be more women in STEM that I internalized it. I’m still coming to terms with the fact that I don’t like science and math and that I feel guilty for feeling that way. I’m unlearning the entire “girl boss” era messaging of convincing young girls to be interested in careers that are dominated by men even if they’d rather be doing something entirely different.  

Now I’m pulled to romanticize the nihilistic attitude that I and many other young people have succumbed to after the failure of “girl boss” feminism to make any real progress. I realized that I actually don’t want to be a CEO or a scientist, but that there was no other definition of success I could strive for. Now I’m attracted to the idea of being “in my Fleabag era”; to embrace self-destruction and fatalism at the cost of the friends and family I surround myself with. I go so far as to craft my flaws to be eaten, consumable, and digestible. An attitude those only privileged enough with white skin and conventional beauty can have. In contrast to fighting for progress, I’m attracted to languishing in my own individualized existence, and then performing a glorified version of that to others. 

Sometimes, I put a shower cap on and stand under the water to hear so much noise I can’t think. The dull crash bars the voice in my head from whispering “what-ifs” in my ear. For a moment, it’s all just quiet. When I step out of the shower, my eyes are shut. When I open my eyes to meet my body reflected in the mirror, I gaze at it as if it's a man’s body. Which means I’ll take less time to think about its flaws. I’ll look at it as something whole, flesh that can’t be picked apart into the good and the ugly. 

It’s easier to do this now that I’ve shaved my head. I removed what felt to me as one of my most feminine qualities. Is this because I feel more comfortable presenting masculine or does presenting masculine mean I’ll be more free from what I feel as constant scrutiny from a male perspective? I don’t think these two ideas can be separated from each other. I don’t think I’ll ever have the answers as to what it’d be like if I had never experienced the formative years of female adolescence.

Staring into the mirror, I wish that shaving my head had given me a total sense of self-realization. I wish that changing my appearance would remove all the ways I’ve internalized what it means to be a girl becoming a woman. Yet, I hate that altering the way I look confirms that my physical existence is just for people’s consumption. Will I ever live my life in first person or am I forever damned to being hyper-aware of how others perceive me? Will I ever stop feeling embarrassed when I cross the street alone? Will I ever be myself?

Dear mom

 Dear mom

Spring is coming, I wait for the sun

Article by Clea Haran, art by Leyla Kamarsky

Springtime is my favorite season because everything becomes itself. Soon, time will pass in a different way and I find myself sitting and watching the cherry blossom tree next door. The pink petals fall from the clouds, pillows on pedicured feet. Sometimes I write down what happened that day. Today, a brown cat crossed my path. 

Mom, when Dad isn’t home I go into the boxes of your clothes that remain under his bed. He wouldn’t mind if I went through them but for some reason I don’t want him to know that I do. I sift through the shirts and sweaters, searching for a piece that will help me remember a day that you wore it. Not trying to remember you wearing it (all of the clothes won’t let go of you) but longing for a specific moment to come back to me. I press the clothes into my face, pushing them harder against my nose, searching for something that can’t be found. I tell myself I won’t do it again because everytime the shirt smells like a shadow.

Dad lives downstairs now, where Pete and Kira used to live. Where Kira’s baby was born in the bathtub and you read Bread and Jam for Francis all night long because that was Zoe’s favorite book. “I do not like the way you slide, I do not like your soft inside.” You read and she would not hear her mother scream. You slept with Zoe and I that night and in the morning she went downstairs to meet her brother Tucker. 

Dad lives downstairs now in the house that hasn’t changed for six years. As the outside world changes, the house remains the same, stagnant in time. The tattered fabric on our chairs is clinging on, as are we. 

Shea lives in the blue room with the three big windows that used to belong to you and Dad. He always opens the door between our rooms before going to bed. We lay on the ground and talk about Scout’s paws and how that iced tea tastes like the color purple. Mom, he used to love the fall and watching the trees outside his window. Now he keeps the shades drawn and loves spring. I watch him as he vaguely stares at the television, the book still open in his lap. Sometimes it feels like you’ve just left to go to the store, as if you're sitting in the other room. Mom, he can walk for hours with anyone. The song “Oh-blah-di-oh-blah-da” can’t be played and he knows he isn’t fragile. Lost In Translation with all the windows open in August. I don’t feel real when I dunk my head under the water. He wades in it and swims to the other side, the part that the sun reaches. And there he finds rocks that never make it home. 

I would listen to you and Dad talk as I fell asleep. The same feeling as laying on your chest at a dinner party. We would sit on the couch after dinner and I would listen to the soft vibrations of you humming “Wild Horses.” Everyone would stay at the table hours after dinner talking and laughing. I could hear them, but was too little to know or understand what they were saying. Instead I would try to figure out whose voice was whose. The voices blended into each other and then into the song behind them. Our house was lit by candles and lamps that were  most condensed in the dining room, and as you went further away, there became fewer and fewer. I looked at the little circles of light scattered around the room. My eyes softened and I was in the place between sleep and paying attention to your finger rubbing against my thumb and you know I can’t let you slide through my hands. 

We have the same thumbs and Papou says we walk the same but I think he is always looking for you in me. Calling me Nicole and then Clea. You are so much like her. After you died all he ate was blueberry pie. Sitting on the porch, one leg carefully tucked under the other, his head moving softly side to side. 

 Mom, sometimes I think about that place you used to bring us to get an ice cream sundae that looked like a baked potato. I’m trying to remember the way you sit. I know how you walk, loose and grounded, your fingers curled softly into your palms. And when you run you make tighter fists, head held high and move your arms too far away from your body. Most times at the top of our street you grab my hand and grab Shea’s hand and Schlemiel! Schlimazel! Hasenpfeffer Incorporated! We’re gonna do it! Scream it when you run down the street, run fast and keep those sneakers in sync. 

I want to stand. I can’t fall back asleep. I hate weighted blankets. Knitting has infiltrated my dreams. Why is it easier to breathe when I am running up a hill, when the breath before this one is still caught in the cup of my throat. You told me the only cure to the hiccups is drinking a cup of water backwards. The chip in my front tooth is from drinking water backwards. I pour water into the kitchen plants until it leaks over the edge and spills onto the table. I spit toothpaste out in multiples of four and always avoid the number sixteen. Sixteen. I want to sit with you. I want you to cut through the counting and the patterns and the way I walk backwards when I take too many steps.  I stand knee deep in snow and hold myself. There. I am not waiting, I am not in between two things. 

Sorah and I found a church on a hot afternoon. We were not looking for it but we saw the small wooden door cracked open and we walked towards it. Our eyes squinted from the sun and then softened as we entered the place that smelled quietly of incense and wood. A woman sat with a child towards the front and an elderly couple stood by one of the windows. The outside light grazed the top of the woman's gray hair. We sat down on the pew and my eyes settled onto the wall just behind the altar where they stayed as my body sat still, bare back on wood, Sorah’s breathing steadies.  

Mom, I don’t know how old I was when you ran the marathon. Maybe four or five, maybe not. I don’t remember seeing you run or seeing you finish, even though I see myself in those pictures. I do remember the morning after. It was early and still dark outside and the house was quiet. I went downstairs to open the door so Rosie the cat could come upstairs and lay with me. As I opened the sliding doors I peered past the living room and into the dining room where you sat, at the end of our long wooden table, leaning over a large bowl. You looked up and smiled at me. I walked over to you and sat next to you on the bench. The big bowl in front of us was filled with Dad’s leftover spaghetti and meatballs that he had made the afternoon before. You asked me if I wanted some spaghetti. 

Our family friends Jen and Tashi still come over a lot for dinner. Tashi eats tomatoes now but still not fruit and because of this I won't understand her. She knows you make toast the best. 

It is October and I sit on the counter and look at my shoes at the ends of my dangling legs. After a while I look up and I watch you carefully cut a mango. You came home from the hospital for a few days and my chest feels tight because last night I slept at Lia’s house and wasn’t home to see you. Your hair is pulled back in a clip as it usually is. You place the pit in my hands and I bite into it. My chin is sticky with sweet tears. Clea Clea bo bia banana phanna pho phia me my mo mia– Clea! To eat a tomato like an apple. 

On the subway you would let Shea and I play Brick Breakers on your phone. But when it was 9th street and the train would go outside you would take the phone away and tell us to close our eyes and enjoy the sunshine. I would be in the middle of a game and get so mad and reluctantly tilt my face towards the window. Now, when I get on the F train, I sit down and wait and hope for the train to go outside again. 

A conversation with the earth

A conversation with the earth

 A struggle with (my) roots

Article and art by Katie Kamio

I sat on a bench in San Francisco and the Earth spoke to me. It reminded me of what I missed a long time ago, before I was born, and before my parents were born. Its words were quiet at first, almost mumbling to me in the brook of the Japanese Tea Gardens. Bubbling on about how if I looked deep into my veins and scrutinized every plasma right down to its molecules, I’d remember. 

I now walk around the gardens, but nothing surfaces. Only the strand of a memory of my Japanese cousins giving me a miniature dollhouse, my only fleeting moment of having a Japanese American family. Shortly after that memory, they were cut off from my nuclear family and thus, my life thereafter. The only thing remaining, the miniature dollhouse that sat in the palm of my hand, offering itself as the only proof of family I could retain. A miniscule memento of what could have been. As I walk, the garden is full of miniature things to match, the tiny trees writhing through the undergrowth of moss and tiny walkways dividing up this garden space. I have heard through my father the love my grandfather harbored for dwarfed trees. How the same trees that populate this garden were clustered throughout his house. Each Bonsai grows slowly, learning and relearning what is snipped from its existence or allowed to remain. I feel the Bonsai of my severed Japanese half surge with the possibility of growth. 

The garden bends toward the underside of a bridge. I follow, and the Earth follows behind me. 

The Earth wonders aloud, “Where do the roots go when they are cut off?”

And I respond, “What if they were never cut off to begin with?” 

I continue walking. I find myself under a bridge that links the lush undergrowth to the canopy. 

“What if those roots were liberated all that time ago, and they were buried deep in the soil, waiting for warm weather to sprout up and into the world?”

The Earth goes silent, pondering. Small streams of light filter through the cracks in the bridge; we both look down at the dirt path. 

When I ended up in the sunny blocks of San Jose, the sun bleached the pavement and the stores were deserted for the cool refuge of awnings at home. Here, the Earth’s heat radiated up from the street, wrapping around my ankles and beckoning me to listen to all that is silenced down the block; the stores that did not make it and the fields that never had a chance. At the Japanese American Museum, I felt as though the tightly bottled taglines in the descriptions were sterile. Scrubbed clean of all the little quirks and weird ticks of what once was. A before that my grandparents never talked about. They died before I took my first breath, and took with them all connection to ancestry. Before the incarceration, before their confinement, before my grandparents lost everything and nothing all wrapped up in one. 

Then I found myself in Japantown at a college art class, a class that should’ve been straightforward. Yet, the artist’s family, and cousin, and friend, and acquaintance came in and I felt the Earth rejoice at what simple joy that must be. “You missed this,” the Earth said. 

“You missed the friendly faces and the cross-stitch of cultures.” 

I long for days where I could claim the staticky lights in the Asian supermarket and not have to guess which snack I’d like. And then return home and eat hamburgers with a side of starched potatoes. A time where I could collage both sides of my history and not feel the fabrication fraying. 

But it is not like that, that concoction of cultures which was lost all that time ago. My family bonds broke on the dusty desert of Utah, where my grandparents had to make do with fences around their world, ones that slowly seeped into their being. All they asked was for their descendants to keep that landscape hidden inside them. Part of me remembers those landscapes and hears the Earth and all its desert apologize for all the dust blowing around inside me, and all the questions that will never get answered. For all that I have missed and all that I hope to gain. 

Goodbye to sandwich, and college

Goodbye to sandwich, and college

Learning love from Bell Hooks, slimy creatures, and platonic soulmates

Article and art by Logan Smith

Jill and Katya already have graduation dresses picked out. I’m suddenly very stressed about this whole ordeal. In less than two months, I’ll graduate college still feeling very much like a child.

My grandmother decided to start her radiation treatment now so that she could come to commencement. On Wednesday, she’ll take a pill for her thyroid cancer and become radioactive. She can’t eat iodine and she can’t be around people or animals for a while. On the phone the other day, I asked her what powers she thinks she’ll develop. She laughed but didn’t have an answer. Most prepackaged foods contain iodine, so my mom bakes her fresh bread and drives it an hour to her house. She won’t make sourdough because the idea of feeding the starter, or in her words, “being responsible for the living monstrosity in my fridge,” grosses her out. So, she makes Grammy French bread and sends me pictures of the crust. That’s what it means to love in my family: driving homemade bread an hour away.

We’re planning a family barbeque for graduation weekend. Katya asked whose parent would be the first to do a keg stand. The answer was unanimous. If anyone, it’ll be my dad as my mom looks on in horror. He’s an anxious extrovert, sort of like me. I think he understands my mental health better than anyone else because he’s equally sad and panicked and messy. He can tell if I’m going through a depressive episode just based on how my voice sounds over the phone. But when he visited last, he scolded me for keeping my anti-depressants in the kitchen. “They’re private,” he said, face flushed.

My mental health was at its worst when I was eight. I remember those years of late childhood and early tweenhood as distant, perhaps more distant than toddlerhood feels. I was a dissociated insomniac who had to be picked up from summer camp early and sleep on my parents’ bedroom floor. Sometimes, my therapist and I try to unpack why I was like that at eight and nine and ten and eleven. She draws me back to my childhood home and volatile younger brother. She says she thinks I get angry randomly now because I didn’t have the space to when I was a kid.

Recently, I scored a solid 85 out of 100 on a self-esteem test my therapist made me take. She said that was an “okay score.” I thought it was great. Really, it made me feel kind of amazing. My therapist brought up the fact that a lot of my self-esteem is context dependent—that if I’m not “succeeding,” it could all unravel. And now, I’m thinking about ghosting her.

A while back, Katya asked me if I thought a psychic would agree to only giving her nice predictions if she paid them extra. I told her probably and then wondered if my therapist would agree to something like that too. Though I know if she didn’t call me out, I’d just feel shittier in the end. 

I open job applications and think about filling them out and then I don’t. I’m really good at sitting down to apply for jobs and then online shopping instead. I’m bad at saving money, I’m good at dancing in my kitchen. I’m also good at paying for coffee and buying so many avocados at the grocery store.

I feel like a ridiculous child, maybe how I should’ve felt when I was eight. Leaving college is high stakes and at the same time, people also claim it isn’t. They say, you have so much time, but I think they also mean, you have a few more months. I’d get on it if I were you. 

There was a potato with googly eyes watching over my kitchen. His name was Sandwich and my housemates and I watched him rot slowly for about three months. We made him hats one night. One of his eyes fell off the next. His last eye fell into my pasta water the other day. Thus, Sandwich was officially out of commission. I ceremoniously disposed of him. I thought about how the death of Sandwich opened up a new opportunity: now when my parents visited, they’d have less questions to ask. The loss of my rotting potato pet has become yet another absurd phantom marker of maturity. But, to be fair, throwing out my potato pet does not mean that I don’t still get an inane amount of joy from putting googly eyes on inanimate objects.

My mom teaches me that love is doing things for people. My dad teaches me that love is listening to music together really loudly while doing dishes. My friends teach me that love also looks like sitting quietly in a room together or letting someone cry without asking too many questions. Dolly Parton said that love is like a butterfly, but I think it’s more like a chameleon. All slimy and slow and changing colors all the time.

Everyday, I get better at taking care of people and letting people take care of me. I watch Katya plan amazing birthday parties for our friends. She painted Ally an incredible portrait of all of us and hid it in Tony’s for her to find on the night of her 22nd. I dance with Ally so hard that we both buckle over, gasping for air. She is joy and light embodied in one human. Elijah reads me their poetry and I always get goosebumps. I sit with Clara in comfortable silence and hours-long conversations. Even in our four years of rooming together, I never have and never will grow tired of her. Jill is one of the most emotionally intelligent 20-somethings I’ve ever met. She gives advice and she just listens. I watch Andrew cook lovely meals on the fly without a recipe. He holds me and I hold him. I fidget relentlessly at night, but he falls asleep so quickly that he doesn’t notice my twitching. 

When my mom first had me, she called Grammy in tears one day. I was an absolute menace, constantly screaming and crying. Unbearable in the nighttime. I think having me was harder than my mom expected. Grammy showed up at the door, ready to take a bright red screaming baby in her arms to give my mom a chance to sleep for more than a couple hours at a time. I think a lot about Grammy and mom’s love. How selfless they are for each other. How sometimes, they know what’s best for the other when the other doesn’t even know it. That’s a love that fills my heart up. They don’t say it a lot to each other, but with every single action, they make their love evident. That’s a friendship that I hope translates to me and my mother’s relationship as we both grow older. 

I want to be like my mom and show love through my every action, but I also want to learn how to comfortably say it out loud, too. I want to learn how to sit in the softness and say “I love you” easily. Not just when hanging up the phone or climbing out of a friend’s car. I think it’s hard to look someone in the eye and say it without being motivated by a nice gesture or intoxication. Reminding someone I love them just because feels so immensely intimate and genuine, and also out of place because platonic love is so undervalued in the West. We love our friends, but never as much as we love our romantic partners, or our parents. The love we have for friends is presumed to be casual, slightly removed. We’re meant to live miles away from them and see them once or twice every couple of years. We’re not meant to live with them forever, or to start platonic families with them (which, by the way, is a goal of mine, though I think most of my friends still need convincing on this once). I think I have wild love for my friends. It’s a shout-it-from-the-rooftops type of love. For me, declaring platonic love becomes an everyday project. 

In All About Love: New Visions, bell hooks redefines love as intentional and steeped in accountability. She reminds readers that it isn’t just a thing that happens to you. If we love right, we choose to love everyday and we work hard to make it come across clearly. bell hooks brought agency back into love for me, made it a less illusive beast. 

I’m ready to leave this place where I see people I don’t want to see every day and everywhere. And I’m devastated about leaving the place where I also see the people I love everywhere and every day. Everything I do feels like a “last.” This is the last Cipher article I’ll publish, which—maybe unsurprisingly—makes this one nearly impossible to write. 

I feel numb right now, but I can tell that underneath the current hush of my brain is sadness. It’ll hit once I leave. Sometimes, if I look at Tavá Mountain for too long, I want to cry, which is how I know. In Colorado Springs, the sun is so strong it makes the snow on the mountains glow and burns the back of my neck. It makes 50-degree weather feel like it’s in the 80s. Sometimes, Jill and I walk downtown with our injured knees, telling one another to go get an MRI, but then neither of us do. We come home sunburned, limping slightly more than usual. 

I’ll miss the strong sun that melts away the snow in just a few hours. I’ll miss my musty porch couch. And I’ll miss living so close to so many of my sweet friends. For now, though, I’ll soak it in. It’s all still here. And before it isn’t anymore, I’d like to love it all in abundance. 

Life through the silver linings 

Life through the silver linings 

A list of missings

Article and art Maya Rajan

Content Warning: Self harm, Domestic violence, substance abuse, murder, suicide

  1. my little brother spoke until he was two. granted, you don't say much when you’re two, but now he’s 16 and has never said anything more. when my parents were still married, i used to wake up in the room next to him. i’d stroll in, eyes still puddled with sleep, and i'd see a toddler in a crib pointing out to the pond, quacking along with the ducks. now he’s 16, a foot taller than me, pounds heavier, and unable to quack. i see tik tok self diagnostics of 15-year-olds calling themselves autistic because they can't do long division, i feel a part of myself sear. my little brother’s not able to say a word to me. all i know about him is he loves thomas the tank engine and cries when he can’t understand the world around him. it's been 14 years since he lost his words. sometimes, i’m even glad. glad he can’t speak truth to my fears; that my dad isn’t always sober around him, that my mum can lose her temper, fear that he is too scared to utter any words he may have, just as i was, and am. but this relief comes at the price of severe guilt. guilt that i didn’t speak up soon enough. guilt that i ignored the shooters under our car seats. guilt that i didn’t use the words i had to protect my little brother from a world that was all too flawed. i miss morning quacks and gentle touches. i miss being taller than him. i miss when things were simpler.

  2. when i was a kid, i always went to my dad when i had an accident, because i knew my mum would get mad. when i got older and i was in trouble, i always talked to my dad, because i knew my mum would scream. when i was a kid, my mum threw a remote at me because i couldn’t get my vocab homework done. when i was older and a doctor pointed out that my wounds were self-inflicted, my mum asked how i could do that to her. when my dad saw the scars, he asked me where they came from, and as i struggled to come up with an answer, he just let out a half laugh and walked away. we never talked about it again. recently, my dad drank his weight in alcohol and put me in a dangerous situation. when i told my uncle, who tried to protect me, my dad assaulted him. the next day, cops escorted me through his house to grab my things and escape to the springs; i felt the betrayal i had committed, both to my abolitionist self and to the man who raised me. i was just trying to stay safe. a couple years ago, my mum told me about when she called the cops on my dad when he was drunk and hitting her; she told me about how he put my older brother and i on each knee, asking, “are you really going to get their dad arrested in front of them?” she told the cops to leave. i thought this was hyperbole until i saw his 2010 battery record with an ex-girlfriend. i miss knowing less.

  3. delirious middle school sleepovers hold a special place deep in my heart. times where Diz and i would stay up all night, singing songs from glee and watching vines, high off of the happiness that only exists when sleep is being neglected and voices are lowered to prevent an angry parent’s appearance. we would eat lunch with our friends in our least favorite teacher’s classroom, brainstorming what we would wear to the next dance at our town’s teen club, or gossiping about what a classmate wore to the last. when we were 15, we would take any chance we got to take a train into the city, whether that meant coming up with a short film we wanted to shoot or making up a friend we wanted to visit. we felt so old with our six-dollar mochas and knock-off designer bags from Chinatown. three years later, Diz’s dad murdered her before turning the gun on her mother and then himself. this happened almost four years ago and i still can’t make it make sense. i miss her so much, and i miss missing her so much. i know deep grief isn’t sustainable, but i can’t help but feel shame about not thinking of her every day anymore. weeks after her death, i found myself paralyzed, unable to move in the middle of a crosswalk. my subconscious holding such intense grief in my body that, maybe, it would rather me be hit by a car than move on without her. no one tells you how to handle that type of loss, that young and violent and unexpected shock. i would wake up in the middle of the night, my body wet with sweat, my face soaked in tears. i would faint in the middle of math class and get lectured on the importance of staying present, especially before the ACTs. every morning when my alarm went off, i prayed to a god i didn’t believe in that the springs in my mattress would break free and pull me inside, protecting me from the world around me, the type of world that let my best friend die when we were just kids. my last texts with her are from the day before she was killed, hours before even; we were texting back and forth about how great senior year and spring break was gonna be. she said ‘ily’ before going to bed, and i forgot to reply. i didn’t believe in any sort of afterlife until she died, but i don’t know how i’d continue on if i didn’t start. i don’t think of her life in heaven, nor do i think of her as an angel, but rather a soundwave. every once in a while, i can hear her through my friends’ laughs or the bells of a church. it’s not comforting so much as a yell from a far away place, a plea to remember. i never want to forget her, and i never will, but i also find myself straying from looking at photos of her, shying away from listening from anything that could have her voice in it, because i still don’t know how to exist in a world where my best friend got murdered by her dad weeks after her 18th birthday. his contact name in my phone was “Dad #2.”

  4. freshman year, my tiny mathias double used to host upwards of 30 people for pregames. gaggles of 18 and 19-year-olds would crowd into the room, equipped with red solo cups, ready to flood them with our handles of Skol and Seagrams. we would walk, five across, out of the building and stumble into whatever sweaty house was throwing that night. i would spend hours drifting between friends and countless strangers, sharing sips and secrets, all to be unpacked the next morning at a hungover brunch. sophomore year was filled with psychedelic packed weekends, coupled with self assurance that it was fun, and not a dilution of the self. during breaks at home, or weekends visiting friends in bigger cities, i’d spend my late nights in crowded clubs and dingy dives, feeling my feet get more stuck to the floor with each shot i took. i explored new places with old friends, picking up new ones on the way. now, i visit my parents in a new country i never experienced in a pre-pandemic world. my boyfriend and his friends share stories of loud crowds and exciting venues that i have never visited because of the restrictions. i studied abroad in a place that has a 9 p.m. curfew and city-wide shut down of restaurants, bars, and clubs, and i spent my late nights smoking out of a window, hearing my roommates play pizza box for the 50th time outside of my door. i have missed so much, and missed out on so much, and feel profound guilt for feeling this way during a time that so many people have lost their jobs, homes, and loved ones. i know that big picture, my life has been impacted a miniscule amount by a pandemic that has dramatically changed the course of so many lives, but i also know that i don’t experience my day-to-day life in the big picture. i feel sad, then i feel bad about being sad, then i feel a numbness that i fear will last for years, because being numb is a lot easier than processing. i miss crowds and late nights and being able to see people’s faces. when i watch movies and see a character walking through a grocery store or a concert or an apartment complex hallway without a mask, i feel a deep sense of dread for the present and the future. 

  5. life is vastly paradoxical. a pandemic has stolen parts of my 20s i’ll never get back, and has also given me things i could have never dreamt of. i have spent months living in new and beautiful places with people i love dearly. the financial hardships my parents faced from covid led them to a new country. the first time i visited, i left the friends i hopped around various homes and states with for the first time in months, and i landed in a cold, dark, wet country, depressed. it was a goodbye to so much: my friends, my independence, all the places i called home during some very turbulent times, only to be met with more turbulent times with my family in a new place where the sun rose at 9 a.m. and set at 3 p.m. during my 10-day quarantine, unable to leave the house and missing my friends because of the seven hour time difference, i turned to tinder for my social interactions. i had no intentions of ever meeting someone, i just wanted conversation and validation when life was feeling bleak and lonely. and somehow, that mindless conversation and validation turned into an infatuation with someone who seemed too good to be true; someone who i could talk to for hours about music and movies and memories that suddenly felt new to me. we met in person on a cold beach in december. we sat and watched as the ocean performed for us, sharing beers and shy glances before he leaned in to kiss me. i spent most of high school and college kissing as many boys as i could, trying desperately to be desired, clinging on to that illusion of a feeling for dear life, and always being inevitably disappointed. i learned to mold myself into whatever i thought someone wanted, camouflaging myself in different interests and aesthetics like a chameleon. there was the jam band phase to appeal to my first kiss who loved Phish, all the lacrosse games i faked interest in for some scrawny misogynist to look at me, and all the first and second-year hookups i pretended meant nothing to me for the sake of keeping up with college casualty. i spent so many years feeling hurt and unlovable, questioning if it was because of my race or my weight or some fundamental personality flaw. but on that cold beach, i felt a warmth completely new to me, an ease and sense of comfort i had no name for but had longed for for so long. this warmth radiated across miles and between phone screens, it survived through months spent in different countries and time zones, culminating last summer in the place we first met, with the words ‘i love you’ slipping out of both our mouths on a rainy scottish night.

  6. i’ve spent a long time looking for home. i never know what to tell people when they ask where home is. is it the house i grew up in? the space of innocence that existed before my parents got divorced and their lies started unraveling? is it the first apartment my mum moved into afterwards, and the coldness that came along with that? is it her next house, the one that i blacked out at during a family barbeque? the one she sped away from to pick me up at a hospital in the city when i ended up there with alcohol poisoning after sneaking out one night? was it my dad’s apartment in New York? the place where the world started feeling bigger and i, freer? sometimes, i think it might be my Massachusetts boarding school where i learned to raise and be raised by my friends. sometimes i think it might be CC, but those sound depressing. Juno said, "i never realized how much I loved being home unless i'd been somewhere really different for awhile." i don’t think home is really a place. the only time i really feel home is when i’m with someone who lives across the world from me, the person who has given me that sense of ease and comfort, the person i love the most on this planet and miss more than anything. when i am with him, i find myself clinging onto every word he says, grasping onto each of his exhalations as if they are my lifeblood. sometimes, i find myself missing home so much it feels hard to breathe. i get so scared of how much i love him, home. everytime we say goodbye at the airport, i wish so desperately that i could shrink and fit into his pocket, living in his hands forever. when we are thousands of miles and several time zones apart, i’m constantly breaking down, feeling his absence in every moment. i’m sure people will call that overly dependent, but i have spent so long looking for love and home, i have spent so much time feeling lonely and insignificant, and i have finally found someone who makes it easy to breathe. i recently realized that the past year is the first time in a long time that i haven’t wanted to die once, and, though i hope we never end and that i can remain home forever, i think even if we did, i would keep this newfound love of life, because i now know the incredible surprises it holds; the unpredictable people, places, and feelings, the euphoria it’s capable of, no matter how fleeting. 

  7. i wake up every morning in a house full of people i love, in a city i have called home for the past four years. we all share the same egg pan and spatula during breakfast hours. when there’s avocado in the house we spoon it out by the quarter, always saving some for another person. i walk two blocks away to meet someone who started as a random class partner freshman year, who i have since lived in two states and a different country with, and we spend all day making art together. i run into people i love every time i walk out of a door or across a patch of grass. i have countless memories sprinkled all over this little campus, this spread-out city. when i feel lonely, i just watch videos of my friends scream-singing in our kitchen or in the car. i look back at pictures from fun run and synergy parties and i only feel good. when i feel stressed, i have the tendency to forget about all of this. i snap at people, i want to be alone, i forget to thank my roommates for leaving a light on every time they know i’ll get home late. i rush through a dinner i know someone has put time and love into, i get caught up in the demands of a three and a half week system rather than reveling in the joy spoon-fed to me each day. the little pleasures never cease to amaze me when i get caught up in the rose tint of nostalgia. will i ever get the chance to spend so much time with so many people who bring me so many smiles? when again will i start and end every day with the knowledge that love is sewn into the creaks of my home? i have been raised by my friends since i was 16, and now i am 22 and still growing so much from their mere presence. i have learned so much about myself and the world from the people i have met here, even the shitty ones; even the ones who aren’t shitty but i no longer call friends for reasons i no longer remember. i am already starting to miss all the things it has taken me years to learn to love. i get so angry at myself for being petty. it feels like one of the harder things to do when surrounded by so much care and comfort. sometimes, when we are making dinner together, splitting up tasks of dicing, auxing, sizzling, and washing, or when we open our home to an army of lovers searching for good music and fizzy drinks, i get so caught in awe. awe that this is my life, and that it will only be the life i hold so close to me for the next couple of months. awe that, in the entire course of the universe and its history, this is where i ended up, and these are the people closest to me. awe that this is all real, and it’s mine. there is a way to live in the silver linings, to hold and caress pain while finding ways to put it aside and pick up joy instead, or to juggle the two together, endlessly balanced. there are days where my brother says a new word with a cheeky smile, as if he’s just holding back, teasing us until he reveals more. there are times where i see my dad as the flawed, but infinitely loving person that he is, and my love and missing of him transcends all fleeting resentment. there are instances where the only cure for my sobs is my mum’s voice, and she becomes my best friend. there are moments where i hear Diz’s laugh in each of my loved ones, and i know her love transcends her earthly presence. there is a future where i don’t have constant goodbyes with the person i love, where we live together and have friends for dinner and listen to good music and are always on the verge of happy tears; a future worth living for. 

Lettitor

Dear Reader, 

We hate to say it’s so, but the four seniors of Cipher write this lettitor with heavy hearts full of thanks and see ya laters. The Miss You Issue is indeed our swan song; and now, the final out-of-tune symphony of all of our pieced-together stories together has its grand finale, finding its way to you! 

In our last month and a bit here, it feels like we’re inundated with lasts. This is our last issue, we just had our last pub weekend, our last moments spread out across desktop computers in our tiny red publication house that smells of whatever Thai place we’ve ordered lunch from. Beyond Cipher, we are also trudging through our final blocks, turning in our theses, going to our last parties, and trying to imagine a world in which we don’t live with or see our friends every day. No one really tells you how to prepare for this kind of goodbye. It’s a goodbye to comfort and routine and support. The things we love are turning into the things we miss, and that is indescribably difficult to process. 

Many writers in this issue attempt to process the goodbyes and the longings that no one prepared them for. Tasha Finkelstein writes about the loss of a best-friendship, and the confusing heartbreak that comes with that. Katie Kamio reflects on her loss of family, memory, and connection with her Japanese heritage during her time spent in the Bay Area. Logan Smith delves into the panic that comes alongside graduating college and entering the “real world” while still feeling like a child.

The class of 2022 is off to find new stories, but rest assured, this is not “the end” by any means. It’s a promise to ourselves and our readers to keep and care for our most treasured tales in time and places to come. We are so proud of this issue and of our writers for being so vulnerable and brave. We’re proud of our editors for all their care and work, and proud of our readers for their endless support. Thanks to them, our promise lives on in a little red publishing house on 1028 North Weber Street.

Working for Cipher has been an incredibly special part of our time at CC. We spend weeks learning about strangers and creating mutual relationships of trust. We learn about everything under the sun—from the overpopulation of Australian cats, to Colorado Springs’ Concrete Couch, to guerilla potato-planting CC students. (Be sure to check out one of Logan’s favorite archived articles from the Excessive Issue: “On Potatoes and Higher Education” by Ella Hartshorn). And it’s like magic when we see how different a writer’s final piece is from what they initially brought our editors. When writers trust us with their intimate stories, we feel closer to this campus, and to the people who make it what it is. We found a home in this little publication, and we’ll carry it with us wherever we go. 

 

We miss you already,

Maya, Logan, Joe, and Clay